#Performance

23 Jun 2014
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Neil Zaza Live At Douglas Corner Nashville, TN

Neil Zaza
Neil Zaza

Neil Zaza

 

Last Friday night I was privileged to finally meet a guitar hero of mine, Neil Zaza. Granted, I have interviewed him and spoken with him a number of times and obviously I have been listening to his music for years, but it’s completely another thing to hear the brilliance of a musician live. Neil has a reputation of being one of the world’s finest guitar players and not just because he is a technically proficient player, but because he is an amazing song writer on top of it. Neil has the very rare ability to make his guitar “sing” as if a vocalist was always there and you never miss the vocalist. He is truly one of the most melodic players on the planet, especially in his guitar instrumentalist genre.

Friday night only confirmed what I already knew. Not only did Neil player flawlessly and effortlessly this night, but his songs take you away as the melodies sweep out from his fingers and take flight through the room and astound you that anyone can be so good at playing an instrument and writing music or songs that are so strong that you are literally transported to a soundscape of rich, melodic musings from an un assuming genius that unfortunately, not enough people have heard of. Neil epitomizes what it is to be an instrumental songwriter. I dare you to find one song that isn’t absolutely gorgeous in its composition and melodic content. He is surely up there in the echelons of Vai, Satriana, Timmons and Johnson in his composition, technical and performance skills.

Granted, Douglas Corner isn’t the venue I would have preferred to see Neil in for my first time. The sound check was half a song, the sound system was adequate but not amazing but mostly, the mix was a bit on the poor side. The drums were over powering in the small venue and Neil was a bit lost in the mix sometimes, but that being said, it was still an amazing and brilliant performance that can’t be wiped away but minor issues. Neil captivated from the stage as I sat there and watched audience reaction. One person in particular was literally getting the chills Neil would rip through a fast solo and cap it of with some melodic ending that brought shivers to the fan. I was a bit shocked actually at how well Neil owned the stage and really brought a strong and mesmerizing performance to Douglas Corner considering the small stage, lack of a decent sound check and quite honestly, most guitar instrumentalists put me to sleep while they perform on stage as they stare at their feet and hand but put on no show at all. Neil did not disappoint here. It was a truly awesome performance that Neil should be proud of.

This performance was almost a homecoming in a way even though Neil had never played there before. The place was full of friends and family or “framily” as Neil calls them. They rated his performance with smart phone rating cards, many times garnering a “10” from the locals. Neil was busy before and after the show greeting, sitting and talking with each and every person who came to see him play. He gets it. There was no aura of ego. No “rockstar” persona that acted like an ass. He was gracious, very appreciate of every person who came out and acknowledged it from the stage and in person. Neil Zaza is the real deal.

The one sad thing was the lack of local musicians who always go around complaining about supporting live music. For some reason when a talent like Neil comes to town, which is not often in Nashville, the musicians don’t show up to support let alone, learn anything or be inspired by a brilliant musician. I guess it’s just much easier to sit and complain on Facebook than actually put your money where your mouth is. Luckily, the place was full of Zazaniacs (my made up word) where more than happy to soak it all in and shower Neil with love and praise for his music.

At the end of the show Matthew and Gunnar Nelson of “Nelson” fame came up to perform with Neil. First was Gunner performing “I’m Alright,” a Zaza show piece as well as the National Anthem. Then the brothers played “Love and Affection with Neil on guitar, Matthew on bass, Gunner on drums and country singer Theresa Rose on bgv’s. Unfortunately, the drum microphone was having major issues so some of the harmonies or other vocal parts could not be heard. But it was still very cool none the less.

All in all, I came away with more respect, admiration and inspired by Neil Zaza. He is a very rare, very brilliant and talented musician and songwriter. He is exactly what this genre needs more of and hopefully those reading this review, will take a moment to check him out both on his site and a venue near you.

The opening spot was filled by an Italian artist named Marco Pinna who performed acoustically with his a brand of latin/mediterranean/gypsy jazz that was fun, hip and lively. Marco was joined on stage by Sean O’Bryan Smith on bass, drummer Glenn Williams (both played for Zaza as well,) Lee Shines on percussion and Kyle Natchtigal on acoustic guitar. It was a nice refreshing change to the Nashville norm and this town sorely needs more of this kind of music to be performed live all over. Marco just release a brand new CD named “Amigus” which you can get on his site and I recommend you do.

 

11 Jul 2013
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Why Aren’t People Coming to Your Shows?

The entertainment business is incredibly tough to be in. We all think we are amazing talents and think we should be paid for all of our hard work and what it takes to put on a show of any kind but that isn’t the reality. The reality is it’s hard to separate people from their hard earned income and with all the entertainment being thrown at them from every angle now days, it’s very hard to capture their attention.

This is why is so incredibly critical that word of mouth spreads about your show the entice people to your future shows. It almost always takes lots and lots of shows before you start to see the crowds you want but there is a strategy to doing it and most importantly, it has to be an experience they will remember and always talk about.

The other day, Dana White of the promotions company UFC came out and said “If you want to get paid, you don’t want people doing the wave during your fight.You want them talking about you on Monday and Tuesday and that isn’t going to happen if they aren’t paying attention to your fight” (paraphrased.) This is completely true of any form of entertainment. If you can’t get people to talk about how completely amazing your show or performance was, you are not giving the audience the experience they are paying for and hence, you don’t deserve to get paid no matter how hard you worked nor should you expect them to. This isn’t an hourly paying gig based on the hours you put in. Lot’s of people work hard (most likely in the wrong areas) but may not be talented enough, visionary enough or a good enough producer to put on the entertainment experience of a life time.

This is the truth. Hard work doesn’t determine getting paid. Buying gear doesn’t determine getting paid. Nothing determines getting paid other than your show putting butts in seats no matter how hard you work or talented you are. This can be a very long and arduous process for any entertainer but it is usually the most common road. Time, effort, talent and an amazing amount of patience are absolutely necessary in the entertainment business. If you aren’t giving the public something that makes them want to part with their money, then you have no one to blame but yourself. You don’t deserve to get paid just for showing up.

Along with talent, planning, intense amounts of practice and the vision to make your dream happen and to also deliver something the public finds value in comes the actual real work that most entertainers don’t want to do and hope others will do for them before they are big enough for anyone to want to. The promotion, booking and business end of things. Somehow the entertainers have to be able to do all of this. It’s obviously very hard and if it was easy, every one would be doing it but they aren’t. However it can be done and there are plenty of examples in the business to prove it. It comes down to will, determination and talent not only to perform but design a show that will provide and experience, not just another so-so show that the public usually gets. They deserve much better than average if they are going to spend money on a ticket plus any other expenses such as drinks, dinner, parking or babysitting etc.

I would estimate that about 95% of what entertainers are putting out there in their performances or shows is completely average or below, yet all I see are entertainers demanding that they should get paid. Paid for what? Mediocrity? I won’t pay you for that. When you send in your material and tell me how amazing you are then that is what I expect. If you aren’t that, if you don’t deliver on your words of your live show, if you don’t put butts in seats or increase your crowd on average over time, then you simply are not as good as you say you are. That is reality. That doesn’t mean give up though. It means you need to re-evaluate your show. Take the time to make adjustments, improve in the areas that need it and learn to put on the show that people wan’t to see. If you don’t, you can’t complain about people not wanting to pay ticket prices. You aren’t providing the value to make it worth the price to them.

You want to sell tickets? Provide the experience that people can’t stop talking about. This means the most well rehearsed, professional dedicated performance you can deliver and it must keep getting better. Until then, you will be mired in mediocrity and low ticket sales and letting the business jade you for your perceived slights. No one owes you a living. In this business, talent, hard work, creativity and vision are all you have. Bring it or go home. Don’t complain about people not coming to your shows when you aren’t giving the very best for them to see.

This is the reality that haunts us all. You and me alike.

Good luck!

11 Apr 2013
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Rock Band Maragold Talks New Self-Titled CD With Live From Music City

Maragold

Maragold

 

Rock band Maragold chats with Live From Music City about their new CD “Maragold”  to be release on April 23rd, songwriting and the music business!

Listen to the interview here! 

Bio

MARAGOLD…a band that started as an idea and grew into a long awaited reality.

Renowned guitarist Greg Howe, widely known for his rock / fusion instrumental recordings, had been considering doing an album featuring vocal-driven songs for quite a while. Long time friend, bassist Kevin Vecchione, had played on Greg’s “Five” album, as well as having toured with Greg previously.Through the years, over the course of their enduring friendship, Greg and Kevin had been discussing and mulling over the idea of being in a band together… They finally decided to stop talking and start acting, and the seeds of the band “Maragold” were sown. Drummer Gianluca Palmieri, who had also toured with Greg, and played on his recent album “Sound Proof”, was recruited to complete their dynamic rhythm section.

All they needed was “the voice”…

Originally, the band started working with a male singer, but due to other musical endeavors, he was unable to continue with the project. In the meantime, Kevin had discovered an amazing vocal talent while performing in the Tri-State area club circuit, and suggested the female singer as a replacement. Greg was initially hesitant, as the songs they had lined up were centered around a male vocalist.

However…

Kevin had Greg listen to some demos he had done with the new singer, Meghan Krauss. Greg enthusiastically agreed that she had “the voice”, but Meghan’s presence, personality, image, and especially her ability to inject herself into a song, truly made her the “total package” that they wanted in a vocalist. Meghan agreed to take on the duties as lead singer; Greg and Kevin immediately went to work writing songs befitting her vocal style.

The results are the ten amazing songs on the debut self-titled album, “MARAGOLD”. Combining exemplary musicianship and powerhouse vocals with provocative songwriting, the album represents a daring new direction for Greg Howe, which is sure to be an exciting experience for his fans, old and new.

You can find out more about Maragold here:

http://www.maragoldband.com/band.html

http://www.facebook.com/maragoldband

http://www.twitter.com/maragoldband

http://www.youtube.com/maragoldband

02 Apr 2013
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Guitar Great Hangout on Live From Music City with Carl Verheyen, Gretchen Menn, Neil Zazza, Jon Finn, Rob Balducci, Mike Martin and Chris Green

Join guitar virtuosos Carl Verheyen, Gretchen Menn, Neil Zaza, Jon Finn, Rob Balducci, Mike Martin and Chris Green as well talk all things guitar on a Google+ hangout! Covering everything from songwriting, marketing, touring and developing a fan base. Tweet us at @LFMCRadio to ask your questions and listen to some of music’s most prolific instrumentalists tell you how to beat the challenges of the music industry.

Date: TBD – Due to technical issues, this hangout is being rescheduled. Please check back for the new date and time!

Time 7:00pm – 8:30pm CST

Where: THIS PAGE

Carl Verheyen

Carl Verheyen

Carl Verheyen Biography

In his 40-plus years of playing the instrument, Carl has created a wildly successful, multi-faceted career. He is a critically-acclaimed musician, vocalist, songwriter, arranger, producer and educator with 11 CDs and two live DVDs released worldwide. Carl is commonly regarded as a guitar virtuoso capable of playing any style of music with remarkable mastery and conviction. He has been one of LA’s elite “first call” session players for the past 25 years, playing on hundreds of records, movie soundtracks and television shows. Carl has graced the pages of countless industry publications and been the subject of numerous articles chronicling his rise to the forefront of the modern day guitar scene. Carl has won numerous polls and musical honors in the US, Germany, France, Italy and the UK.

A member of the smash hit British rock group Supertramp since 1985, Carl has played to millions of enthusiastic fans in sold out arenas worldwide. As the creative force behind The Carl Verheyen Band, he has released an impressive and eclectic discography that showcases his endless talents across a wide array of musical genres.

A much sought after studio musician, Carl plays on other artists’ CDs whenever his busy schedule permits. He has recorded and played with a virtual who’s who of the music industry. His vast collection of movie soundtrack and television credits are enviable. Carl was heard by 67, 000,000 people as a featured soloist at the 2009 Academy Awards. He will also be heavily featured in the forthcoming film documentary about the electric guitar, Turn It Up!

On the educational front, Carl has produced two instructional videos called Intervallic Rock Guitar and Forward Motion as well as various on-line lessons. He also has a book/CD detailing his unique “intervallic” style called Improvising Without Scales. Another book entitled Studio City is a compilation of all the columns Carl wrote for Guitar Magazine between 1996 and 1999. He has written a monthly column for Chitarre, Italy’s #1 guitar publication as well as Guitar World and Guitar Jam Daily, a website devoted to serious guitarists. He currently writes a monthly column for Guitar Player, contributes to other guitar publications, and blogs regularly for GuitarPlayer.com and his own site. Carl also lectures and teaches at clinics regularly when not on the road.

Carl recently co-designed a signature guitar with LsL Instruments, the “CV Special,” combining the best elements Carl seeks in his ideal guitar; they are now available for purchase worldwide. As if that weren’t enough, working closely with Dean Markley, Carl developed a line of signature strings for the electric guitar that perfectly balance the tremolo bridge of the Fender Stratocaster, the Carl Verheyen Balanced Bridge Helix HD string set . Also working with Dean Markley, Carl helped develop a top-of-the-line guitar lubrication, Tuba Luba, in addition to his numerous existing endorsements.

Gretchen Menn

Gretchen Menn

Photo by: Max Crace

Gretchen Menn Bio

Rapidly gaining praise in the world of instrumental rock and beyond, Gretchen Menn isn’t your average guitar hero on the rise. She once flew regional jets to support her six-string habit. She has studied, in equal parts, the music of Mozart, Beethoven, Steve Morse, Frank Zappa, and Jimmy Page. (Regarding the latter composer, she performs the music of Led Zeppelin professionally all over the U.S. with Zepparella.) Perhaps Michael Molenda, Guitar Player Magazine’s editor-in-chief, described Gretchen’s solo music best when he said that she “seeks the unknown by blending disparate jazz, prog, and world-music influences into a tasty, guitaristic thrill ride.” Her first solo album, Hale Souls, released in July of 2011, is an instrumental album of original compositions that range from aggressive to celestial.

Apart from demolishing her mother’s violin with Pete Townshend-like vehemence at age three, Gretchen’s passion for all things guitar didn’t fully surface until her early teenage years. It was under the tutelage of classical guitarist Phillip de Fremery, a student of Andrés Segovia, that Gretchen began her path on the instrument. Her father, noted writer and former editor-in-chief of Guitar Player Magazine, Don Menn, was quick to point her in the direction of the greats as soon as she expressed interest in guitar.

While earning a degree in music at Smith College, Gretchen’s adventurous approach to her education would foreshadow her approach to the guitar. She convinced a professor to allow her to launch a special studies project on the intricate and unclassifiable music of Frank Zappa. Her analyses of “The Sheik Yerbouti Tango” and “The Girl in the Magnesium Dress” showed a love for epic, melodic, genre-shattering rock and roll composition that would manifest later in her original instrumentals.

After college, Gretchen began heavily incorporating her love of rock guitar into her daily regime, the only hitch being that the music of her rock gods, Steve Morse, Eric Johnson, and Frank Zappa, wasn’t exactly Guitar 101. She also began considering her career path, and how she might prevent a situation she sought to avoid: tainting her love of music with the necessity of paying rent.

The solution? She went directly from college to flight school, and two years later was flying regional jets for the airlines. Yet Gretchen was never without her guitar.

After a year in the jet, with the life of an airline pilot being more than a little incompatible with a career in music, Gretchen relinquished her position with the airlines, knowing that there was a pilot out there somewhere who would appreciate the opportunity. She decided to take a more direct approach to realizing her musical dreams.

Playing with tireless passion and constantly seeking out new challenges, Gretchen’s projects have spanned the genres of jazz, funk, rock, progressive, and metal. In 2003, she donned a schoolboy uniform and joined AC/DShe as “Agnes Young.” In 2005, she joined forces with drummer, Clementine, to form Zepparella, currently with singer Noelle Doughty and bassist Angeline Saris. In 2007, Gretchen formed Sticks and Stones, the high-energy, instrumental “bassless power trio” with guitarist Mickael Tremel and drummer Sam Adato. In 2010, she played in Lapdance Armageddon, an aggressive acoustic duo with Jude Gold. In 2011 she wrote, produced, and recorded her first solo album, Hale Souls, which features bassist Stu Hamm, drummer John Mader, violinist Emily Palen, and guest artists Angeline Saris (bass on “Scrap Metal”), Jude Gold (second acoustic guitar on “Fast Crowd”), and Gretchen’s sister, Kirsten Menn (soprano on “Fading.”) Gretchen’s solo project, a trio with Angeline Saris on bass and Thomas Perry on drums, played their first shows in November of 2011, and will be starting to tour more in 2012.

Neil Zaza

Neil Zaza

Neil Zaza Biography

His guitar playing has defined modern day instrumental guitar the world over. His melodic compositions have not only changed the way musicians play, but what audiences demand out of their guitar heroes. To see Ohio native Neil Zaza’s influential impact on guitar across the globe, merely tune into the legion of thousands of fanatical fans performing his international hit, “I’m Alright” on YouTube. Neil’s trademark “singing” and lyrical guitar style is easily recognizable and can only belong to one man: Neil Zaza.

“It’s always been about the song for me,” states Neil. “I remember all the tunes that really moved me when I was growing up and it wasn’t about the guitarist playing 128th notes. It was about an inexplicable connection I felt drawing me to wear out my records as I couldn’t get enough of that rush of the song itself! That’s what I try and do with my music today. It’s always about the song!”

Neil Zaza worldwide touring has cemented him as a true guitar phenomenon. He’s played alongside and shared the stage with such guitar luminaries as Joe Satriani, Steve Vai, Yngwie Malmsteen, and Nuno Bettencourt. His recordings feature collaborations with Van Halen’s Michael Anthony, Dream Theater’s Jordan Rudess, drumming legend Steve Smith, Peter Frampton among others.

Neil Zaza’s mastery of the guitar amasses accolades from all sources. While he continues to transform the world of instrumental rock music one melody at a time, it’s his fiery interpretations of holiday repertoire fused with Classical melodies and classic Rock that is the basis for his One Silent Night… concert series. Neil, his band, and an orchestra/choir aren’t just performing holiday music with One Silent Night…-they are literally reinventing it!

Now, with his latest release entitled 212, Neil has set the melodic bar even higher with a project taking his melodic stylings to even greater heights. 212 boasts songs that put composition and melody on par with his stunning guitar prowess. The combination is deadly and sure to set the watermark for how expressive and emotive a guitarist can be.

This unique voice continues to evolve…

Jon Finn - Scream (small)

Jon Finn

Jon Finn Biography

A guitarist since age six, Jon Finn has been a professional musician for most of his life. Joining the guitar faculty at Berklee College of Music in Boston in 1988, he started the Jon Finn Group later that same year. To date, they have released three CDs internationally:

For over three years, Jon wrote a monthly instructional feature for a national magazine called Guitar. Jon has also authored several books for Mel Bay Publications:

In his freelance pursuits, he’s played guitar for the national touring companies of many contemporary musical theater productions such as Rent, Aida, Mamma Mia, Grease, Joseph and the Amazing Technicolor Dreamcoat, Copacabana, and many others. Today Jon frequently performs and records with the Boston Pops Orchestra, and has been involved in a plethora of concerts and recording sessions, including 6 CDs (two of which were Grammy nominated), 8 US concert tours, and one tour in Asia.

Rob Balducci

Rob Balducci

Rob Balducci Bio

A native of New York, Rob Balducci has defined himself as a guitarist, musician, composer and one of the most sought after instructors in New York. Balducci’s music is drenched in layers of sonic colors, each representing a tangible emotion, desire, depth, feeling, thought and mood. Rob said “There’s this cliche that instrumental guitar music has gotten to be too much of a vehicle for soloing and showing off technique. That’s completely the opposite of what I’m trying to do. My music is really like vocal songs with the guitar as the vocals.” Guitar World said after hearing Balducci’s debut CD “ Hum-able Shred! What a concept.”

“ Rob is an excellent guitarist… I’ve always had his CDs around and I am waiting for him to become the next big guitar player ” – Joe Satriani “

Rob is a great player and is as dedicated to his work as one can get and it shows in the construction of his audio emotions”- Steve Vai

Having played guitar for the past 24 years, Rob spent years dedicated to mastering his instrument. These well-spent years of woodshedding, and perfecting his technique would pay off handsomely. In 1990, Balducci would go on to win a local contest sponsored by Guitar For The Practicing Musician proclaiming him as New York’s best guitarist. Balducci also furthered his six-string education, earning a degree in music performance and theory from Five Towns College. Balducci’s debut CD, 1995’s BALANCE distributed through Sony Music reaped unanimous praise from press and guitar enthusiasts alike heralding this promising new talent.

After his debut CD Balance, Rob worked on new material and starting shopping his music to record companies. The new CD was sent to Steve Vai in hopes of Steve wanting to release it on his new record label Favored Nations Entertainment. “Favored Nations was created with the intent of bringing music that’s energetic and emotional, with performances by artists of the highest caliber. The artists signed to Favored Nations are a unique, dedicated breed that have attained the highest performance level on their chosen instruments – Steve Vai “ Vai signed Balducci to Favored Nations and released Mantra and The Color Of Light CDs worldwide. Balducci’s newest 2009 Favored Nations CD is titled Violet Horizon and features 15 new tracks of his best work to date with special guest appearances by Guthrie Govan and Dave Weiner.

2009 has been a busy year, not only has Balducci recorded Violet Horizon he also collaborated with Bassist Randy Coven and drummer John Macaluso on a new CD that will be coming out on BHP/NuGroove records. The CD features songs written by Randy, Rob and John and is produced by Emmy Award winning producer Brian Tarquin. Joining Rob on this CD is fellow guitar players Steve Vai, Leslie West and many more….

Rob is currently working on his debut instructional DVD which will be released through The Rock House Method company. His stellar guitar stylings can also be heard on “Rewired: A Tribute To Jeff Beck,” “Crushing Days: A Tribute To Joe Satriani” and a salute to Carlos Santana. Rob Balducci has the pleasure of working with and endorsing Ibanez Guitars, Cornford Amps, Intellitouch tuners, D’Addario Strings, Dimarzio Pick-ups, George L’s cables, Morley pedals, Keeley Pedals, Xotic pedals, Dunlop, Maxon and performs clinics around the world in support of these companies.

The musical community has also taken notice of this guitar giant, with scores of global publications loudly singing his praises (most notably Guitarist UK, Guitar World, Young Guitar, and Burn). What remains constant about Rob Balducci is his intoxicating cinematic scope of sounds, skin-tight arrangements and extraordinary six-string dexterity. Music is a highly personal experience for each and every listener, a uniquely exotic adventure conjuring up a kaleidoscope of different emotions and feelings. Like a master snake charmer, Balducci’s music seduces, inspires, challenges, and ultimately takes you onto a new dimension of light and shade and into the ” Violet Horizon

Mike Martin

Mike Martin

Mike Martin Biography

Mike “2 of 5” Martin began his life on stage. Literally. Mike’s mother was pregnant while she was in college studying and performing opera. He never had a chance! He began his formal study of music at the age of four, learning violin and singing in choir throughout elementary school. At nine, he started playing the piano. In 1985 he discovered the guitar and was given one that year for Christmas. Teaching himself to play by ear, Mike quickly developed a repertoire of popular rock music, learning every AC/DC riff he could.

In junior high, Mike began seeking out teachers who could help further him along as a player. After a short stint with music store lessons, Mike was accepted to study at The Concord Community Music School in Concord, New Hampshire, studying Classical Guitar with Christopher Kane and Jazz Guitar with David Tonkin.

Mike earned his first professional job as a musician playing 12-string guitar for the New Life Singers, a contemporary Christian folk ensemble based out of Concord, NH. At fifteen, Mike started a rock band and began performing music by Metallica, Queensryche, Anthrax, Guns N’ Roses, Judas Priest and Iron Maiden all over New Hampshire with musicians who were already out of school

Eager to learn as much as possible about the guitar, Mike took an opportunity to move to Myrtle Beach, South Carolina, in 1990 to begin studying with Tom Yoder, a local guitar wizard that Mike credits for bringing out the discipline and skills he would need for a lifetime of music achievement. During this period, Mike continued performing in the Myrtle Beach area with local bands. He stayed under Tom’s tutelage until graduating from high school in 1992

After high school, Mike moved to Atlanta with the group Tunnel Vision in hopes of getting his performing career off the ground. The new Alternative and Grunge movements made it difficult for Mike to secure many opportunities, but he did make some acquaintances along the way. During a short stint at a Georgia landscaping company he met Rich Ward of Stuck Mojo, and Sean Delson and Doug Busbee of Salem Ash. Little did he realize then the significance of this brief encounter.

Discouraged by the trend in “anti-guitar-solo” music, Mike did the only thing he could think of: Go To College! Here he studied Music Theory and Composition with Dr. David Maves, ASCAP Composer of the Year 1995. He also continued his Classical guitar studies with Mark Regnier and Jazz studies with pianist Tommy Gill.

After graduating in 1999, Mike moved back to Atlanta to pick up where he had left off. He soon found work in the thriving Atlanta Blues Scene as a mercenary sideman for hire which gained him the honor of being included in a historic photo of GA blues musicians now on display in The Georgia Music Hall of Fame in Macon, GA. Mike also had great success performing with his Nuevo Gypsy/Flamenco duo with Ed Wier. Mike began showcasing his writing with the group The Hybrids in 2000, which ultimately lead to starting a group under his own name in 2002.

Mike was approached by Sean Delson in the summer of 2004 on behalf of Rich Ward and FOZZY to take over lead guitar responsibilities. They were in the process of dropping the joke gimmick to become a real band and beginning a world tour to support their record “All That Remains” featuring guitar solos by Hard Rock and Metal guitar heroes Zakk Wylde, Mark Tremonti and Marty Friedman. They were in need of a real guitar player to do the album justice on the road and Mike was more than up to the challenge, transcending “touring sideman” status to become a feature of the live shows. Since then Mike has toured worldwide with FOZZY and recorded The Duke’s (Ward’s) release on Spitfire Records, “My Kung Fu Is Good” (released worldwide May 2005). In 2006, Mike played lead guitar for FOZZY on the track “Metal Gods” for a tribute to Judas Priest CD featuring Motorhead, Vince Neil, Sepultura and Tim “Ripper” Owens among others.

Being in close association with the band Stuck Mojo, Mike was asked to perform on their long awaited album “Southern Born Killers”. After having toured with the band multiple times and appearing as a guest in the upcoming DVD release “Live at the London Underworld”, Mike joined the band as an official member and second guitarist to Rich Ward in 2007, appearing in the music video for “I’m American”. During Mike’s time with Stuck Mojo, they toured extensively throughout Europe with Vol Beat and Ektomorph, as well as signed with Napalm Records to release “The Great Revival” in January of 2009.

2009 also finally saw the release of the live CD which had been recorded in Australia on FOZZY’s 2005 “Remains Alive” tour. Mike’s final contribution to the band was to produce the track “Wormwood” for the January 2010 release “Chasing the Grail”. Chris Jericho penned the lyrics about the end of the world inspired by the book of Revelations. Mike turned those lyrics into a 14 minute progressive hard rock cinematic feast for the ears composing, arranging, engineering, playing all of the guitars, conducting the choir for the finale and co-mixing with Eric Frampton. This standout track was a complete musical departure for the band and it demonstrates Mike’s growth as an artist in his own right. “Wormwood” has been a very highly reviewed track on the album and a fan favorite
 but more importantly, it is a synergistic example of all that Mike has to offer and a tip of the hand as to what he will be up to on his next projects.

During his tours of duty with FOZZY, The Duke, and Stuck Mojo, Mike seized upon the opportunity to build a project studio at his home so he could begin to produce his solo projects. The first of which was the instrumental album “2 of 5”, originally released the Summer of 2006 independently on Serpa Records, and now available worldwide through Steve Vai’s Digital Nations Division of the Favored Nations record label. “The title is a reference to the Borg character ‘7 of 9’ on Star Trek,” says Mike. “I am the second of five children so I thought it was pretty clever.” With the new Vai DN partnership, and the critical acclaim and success of “Wormwood”, 2013 is poised to be the year Mike gets his band touring properly as well as working on a new music set to be released in 2013.

2011 – 2013
Mike worked with Atlanta projects Agent Cooper (featuring members of Fozzy, Stuck Mojo, The Duke and Salem Ash) and The Nominees (featuring members of doubleDrive and Speed X). Touring Europe opening for Tony MacAlpine in 2012.

Highlights for MIke’s solo project in 2012 include opening for Steve Vai at Center Stage in Atlanta, GA and The Aristocrats (featuring Guthrie Govan, Bryan Beller and Marco Minneman) in Nashville, TN

Mike’s foundations in Classical, Metal, Jazz, Folk, Rock and World music have allowed him dedicate his career to versatility and culture with the highest respect for art by any means necessary. Perhaps he is best described in the following way:

Art with a purpose is a force to be reckoned with.

Chris Green

Chris Green

Chris Green Biography

Guitarist Chris Green has had the pleasure of playing in a long list of powerful rock bands, including Furyon, Nelson, Scrap Metal, Defcon, Firehouse and Pride. In 2008, the UK band, “Furyon” recorded their debut album with platinum-selling producer Rick Beato. His most recent project is a collaboration with CJ Snare, “Rubicon Cross,” as well as writing an instrumental album yet to be released.

30 Mar 2013
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Maragold on Live From Music City May 9th!

Maragold

Rock band Maragold will be on Live From Music City Tuesday May 9th!

Bio

MARAGOLD…a band that started as an idea and grew into a long awaited reality.

Renowned guitarist Greg Howe, widely known for his rock / fusion instrumental recordings, had been considering doing an album featuring vocal-driven songs for quite a while. Long time friend, bassist Kevin Vecchione, had played on Greg’s “Five” album, as well as having toured with Greg previously.Through the years, over the course of their enduring friendship, Greg and Kevin had been discussing and mulling over the idea of being in a band together… They finally decided to stop talking and start acting, and the seeds of the band “Maragold” were sown. Drummer Gianluca Palmieri, who had also toured with Greg, and played on his recent album “Sound Proof”, was recruited to complete their dynamic rhythm section.

All they needed was “the voice”…

Originally, the band started working with a male singer, but due to other musical endeavors, he was unable to continue with the project. In the meantime, Kevin had discovered an amazing vocal talent while performing in the Tri-State area club circuit, and suggested the female singer as a replacement. Greg was initially hesitant, as the songs they had lined up were centered around a male vocalist.

However…

Kevin had Greg listen to some demos he had done with the new singer, Meghan Krauss. Greg enthusiastically agreed that she had “the voice”, but Meghan’s presence, personality, image, and especially her ability to inject herself into a song, truly made her the “total package” that they wanted in a vocalist. Meghan agreed to take on the duties as lead singer; Greg and Kevin immediately went to work writing songs befitting her vocal style.

The results are the ten amazing songs on the debut self-titled album, “MARAGOLD”. Combining exemplary musicianship and powerhouse vocals with provocative songwriting, the album represents a daring new direction for Greg Howe, which is sure to be an exciting experience for his fans, old and new.

You can find out more about Maragold here:

http://www.maragoldband.com/band.html

http://www.facebook.com/maragoldband

http://www.twitter.com/maragoldband

http://www.youtube.com/maragoldband

26 Mar 2013
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Blues Great Chris Duarte on Live From Music City!

ChrisDuarte

Blues Great and underground guitar legend Chris Duarte will be on Live From Music City on May 19th with a live interview, 3 song full band performance and a meet and greet to start 6:30pm.

Date: May 19th, 8:00pm Meet & Greet

Location: Bitchstraps Studio, 172 2nd Ave. S., 3rd Floor, Nashville, TN 37201

For more information please contact Live From Music City through this site.

 

BIO

An artist’s lifetime is sometimes dictated by the heights they reach, the reaction they register or the body of work compiled during their working years. Chris Duarte is certainly making a case for his body of work he’s producing, this being number eleven of releases, but is he achieving the right reaction for his efforts? With the release of Chris Duarte’s latest opus, ‘My Soul Alone’, Chris Duarte is still reaching for new ground while also throwing out some of his best blues work to date. The maturity in the phrasing and melodic statements are a far cry from the early raw days of his first few releases. This could only be achieved through relentless roadwork that allows Chris to ply his trade and to work and rework melodic ideas. “I can practice all day in my basement but it’s a totally different ballgame when I get on stage. More of a physical dynamic is the currency I trade in when I’m playing live.” Even though Chris is in the studio, I can hear him getting more physical while there.

The album starts off with a swinging type of blues with a vocal more akin to 40’s big band style. The rough and course voice is still there rather than a crooner’s touch but he’s swinging the lines. The guitar solos are full bodied with just a touch of frenetic moments that Chris is known for. ‘Show Me That You Want It’ sets a good tone for the opening salvo.

Next up is another example of Chris taking clues from his early years growing up and mixing it with these pseudo county leanings on the guitar. ‘Yes It’s You’ is a nod towards the Beatles and other ‘Pop’ efforts Chris has been penning and with each release I can hear the improvement. Time will only tell if this song is a winner but it makes me hopeful that one day that hit will come. It will be long overdue.

‘Take Me Now’ is more of the ‘naff’ pop Chris is exploring like his previous release of ‘Summer’s Child’. “I keep hearing these retro-like grooves with a Steely Dan like vocal line over it. I’m probably going to go to my grave taking chances like this song.” Jazzy guitar work over a bluesy mode wins out on this song. This one always perks my ears up for new things every time I hear it.

Almost every album that Chris has put out with Mike Varney, there’s always been a minor blues and a slow major blues on the album. Normally I would really grow tired of the repetition but Chris challenges himself to tweak and twist the songs arrangement so that no two are going to sound like the last. His latest minor offering, “A Dollar Down and Feeling Low’, stays low and evocative with what I think is his best minor work to date. The phrasing is more moving and flowing with its subtle nuances achingly played. Chris’s touch on the guitar is definitely much improved and the notes actually touch the inner core. Then on the flip-side there’s ‘Lazy Afternoon’ with its true reach at a crooner standard style. The lyrics are lyrical and time dated and the guitar work is first rate jazzy with a touch of BB here and there. If we were to stop here with the album I would consider it a success.

We can’t deny Hendrix is a big muse for Chris and it’s plainly stated in this album. ‘Outta My Way’ is a spot on Hendrixian nod but obviously with Chris’s style thrown in the mix. Starting off with a hard driving riff but then it opens up with the patented Hendrix 7th chord accents that propel this rocket of a song on its way. The guitar accents are vocal like and at times a frenzy. The quirky lead in to the middle solo is typical of the twists and turns for originality and lends to it that ‘turn-on-a-dime’ wildness that should be present in songs like this; Hendrixian. The next Jimi offering is ‘Can’t Shut Me Out’. First the riff at the top and in comes the effects drenched guitar. With an almost vocal like quality to the guitar the phrasing is no doubt from Jimi and the driving rhythm underneath enables all the elements to come together when the vocals start. The interlude at the top of the chorus is the only departure from the Hendrix mode but it plays well with the chorus hook shouted out. Another adrenalin driving guitar vehicle and I wouldn’t expect anything less on this album. This is the CDG we’ve come to know and love.

Jumping back on the blues side of the album, because if there’s one thing that put Chris Duarte on the international stage; it is his blues playing. ‘Being known and referred to as a blues player is not a hindrance to me. If there’s anything that makes it easier for people to relate to me or if it’s easier to gain access to me than it’s all for the better’, Chris remarks. “I don’t shrink behind it or cringe from it because I love playing the blues.” I agree. It’s Chris’s prowess and originality in the blues field that has always made him an interest to me. So when I heard ‘Sweet Little Girl’ I knew Chris was drawing from one of his favorite blues masters; Howling Wolf. Back in the day when Chris was just a sideman in Bobby Mack and Night Train, Howling for My Darling was in every day rotation with the band when they played. It’s no surprise that the infectious rhythm and drive the song has would be inspiration down the years in his career. Written for his daughter, the vocal phrasing isn’t the same as Wolf but the ‘sweet’ sentiments he gives to his little girl is heartwarming. Then Chris quickly takes over when the solo romps and rolls along this jumping number. “Keeping this rhythm going isn’t as easy as it sounds” quips Duarte, “You always find out your studio limitations when you’ve got to track your rhythm tracks.” On the heels of Sweet Little Girl you’ve also got the Party swing song, ‘Bucked It Up’. “The male anthem for some of us” as Duarte claims as he has not been without his foibles in life. Why not poke fun with it and put your troubles in song. This song is just classic with the Hubert Summlin like tone on the lead and the rhythm guitar borrowing from piano phrasing and horn section kicks on the chorus. Later the solo tone turns towards a Buddy Guy styling and this party just rocks and rolls. Not to be forgotten is the ‘Stripper’ like tom-tom beats on the verses. Really like this song.

The title cut, ‘Leave My Soul Alone’ is Chris giving a nod towards the Black Keys. “I was first exposed to those guys when I did the Romp album.” “Our producer at the time, Dennis Herring, brought that song in, the Romp that is, and it was the Black Keys version of it.” It definitely has that stripped down sound with the classic vocal and guitar unison lines in it. With the verse rolling along like a tire with a bump on it, the song then blows wide open with the chorus and a rock and roll scream to “Leave My Soul Alone!” The guitars thicken up and the drums pound out the booms and the solo is an all-out assault on the instrument itself. Bending and twisting through sonic blasts and high vertical bends it settles back for another verse and then blows up again. Emotionally stirring this song deserves to be the title cut for its shear ferocity that it wields.

The last two cuts are more experimental and artistic reaches. “I just wanted to tell a story in one of the songs and this western motif I settled on was a lot of fun.” Telling the story of a young man that takes up and life of crime to feed his family is scattered among this country’s western lore. “I just wish I could write like Dylan” The guitar is playing this almost hypnotic folk type melody and the solo comes in mirroring the vocal line and then soaring on high as if it’s flying in the vast open Big Sky of the Midwestern plains. This song kind of hung with me after it was over. Then we have the most different of all the songs; Carelessness. “This is the name of a lodge that I met the violin player at during a jam we did in Northern California; Careless. The first song we jammed on was Freedom Jazz Dance and it was a blast.” Then when Mike Varney thought the collaboration between the two; violin and guitar, could yield some potential fireworks, Mike wanted to get Madz Tolling on one song with the upcoming album. So it was up to Chris to write one for the occasion and with that he drew on their first time together as inspiration. “Since it was Freedom Jazz Dance that brought us together then why not come up with a melody that’s angular and quirky like Jazz Dance.” Add a bit more spice with the solo section being in 7/8 time and then give a nod to one of Chris’s favorites John McGlaughlin and you’ve got the vehicle for a fusion tour de force. Madz violin just soars throughout the song with the agility and ease of a master conjuring up the voice of Jean Luc Ponty. Chris then answers in his unbounded energetic style that you can’t help but bop your head and smile while the drums lay down a furious barrage and the bass acts as the glue that brings it all together. One of the most adventurous songs Chris has put down so far in his career. I hope there are more like this one in the future

My opinion is that this is a level up in Chris’s all around skills. His songwriting is getting better, vocals phrasing and lyrics are better and his tone is still a marvel at how dexterous he can be with the varying styles he continues to display time and time again. Watching Chris grow has not been meteoric but it’s been steady and he’s still getting better on the guitar. In a time when most of our legends have been content to rest on their laurels and continue to mine familiar ground, it’s both a pleasure and refreshing to see that Chris always wants to expand and grow even after over 20 years of being on the road. Not many have the energy in them to do that and not many have the soul to pull it off.

For more info about Chris Duarte please visit: http://www.thechrisduartegroup.com/home.html

07 Aug 2012
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Delana Stevens and The Beggar Saints – Live at the Rutledge LMV 08/04/12

I had the opportunity to have a day off for once and decided believe it or not to go see live music which I never on my days off. A friend posted on Facebook a fundraising event at the Rutledge LMV and there was a artist on there I had been wanting to see for a few years but never had the chance to so I decided to go. I went early to help support the event but was really only there to see Delana Stevens and The Beggar Saints. I was not disappointed. They were hands and above the best band I saw that night.

Delana brings to the live performance much of what I write in my blogs and am always looking for in a front person and artist. First off let me say she can SING! She is a top-notch singer with a thick voluptuous voice that rocks your face off. Not once did I hear her go out of pitch which here in Nashville I find very rarely especially in the rock scene. She showed up looking like a star unlike many of today’s bands who dress like they are going to K-mart to go shopping instead of being entertainers with a job to do. She brings a ton of energy to the stage working it from side to side and completely owning it. Delana worked the crowd even though it wasn’t huge like this one unfortunately wasn’t. She makes great eye contact, engages the listener and talks to them. In other words, she didn’t treat it like an unimportant gig or act disappointed in the crowd size. Whether it’s 30 people or 3,000 you can tell she treats them all the same. Delana has an easy way about her which helps makes her personable, but when she is up there, she commands the attention and she leaves no doubt that she is a future star.

The Beggar Saints are a very tight and professional straight-ahead rock band. Their performance was crystal clear which is a big plus to me. They leave the spotlight to Delana but are energetic enough to balance out the stage and pick their spots to shine like a band should. The vocal harmonies were tight and clear. The songs were strong and even better live then the recordings in my honest opinion. They lend themselves well to live performance and the hooks are huge. Song after song, the choruses draw you in and you don’t feel like you are listening to the same song over and over again like many bands I have seen. The band performed “Magic Man” by Heart and anyone who is a musician knows how hard it is to cover any song sung by the amazing Ann Wilson but Delana pulled it off powerfully and flawlessly. That alone should tell you how good her voice is enough to draw you out and watch her.

This is one of those scratch your head and wonder why the hell Delana hasn’t been picked up kind of artists. She is certainly of the caliber to be on any stage of any size and can hold her own with anybody else in the business.  I am confident, with proper marketing and more shows, Delana has a great shot a major success.

All in all, they put on the best rock show I have seen in Nashville in a long time. All the pieces were there and if you get the chance, check out Delana Stevens and the Beggar Saints. I promise you will love it. I did.

You can find out more about Delana Stevens and the Beggar Saints here:

www.delanastevens.com

www.facebook.com/delanastevensband?ref=ts

www.twitter.com/delanastevens

14 May 2012
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Live From Music City with Steve Ceragno and Loren Weisman

“Live From Music City,” a weekly radio show that airs on Tuesday nights at 8:00 pm CST on blog talk radio (www.blogtalkradio.com/live-from-music-city), welcomes music marketing expert Steve Ceragno from www.dropcards.com and music producer, author and consultant Loren Weisman (www.lorenweisman.com) who will share about how to tackle the issues an independent musician must face on a daily basis on “Live From Music City.”

27 Sep 2011
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What Makes A Good Front Man?

One of the biggest and most important things in live performance is the strength of the person fronting your band. This is a major area where lots of bands trying to make it need the most help. Take a look at the most popular front men/women of all time and ask yourself, “What is it about them that the audience connects with?”

Legendary front men or women like David Lee Roth (arguably the best front man ever), Mick Jagger, David Coverdale, Anne Wilson, Paul Stanley or Steven Tyler can give you great insight into what it takes to get your band to the next level. Doing your research into the greats and implementing what you learn can help make your band “larger than life” and allow you to capture the attention of the crowd you are playing too. Not all front men are electrifying or great looking but are still incredibly successful, just look at Ozzy Osbourne. Some front men/women are quirky or odd like Mick Jagger but there are two things they all have in common, they all have a very distinct style and presence and they all live for being on that stage. They revel in it. There is no doubt in their mind that they are where they belong. This allows them to own the stage like no one else. This is critical for successfully drawing in a crowd, creating unforgettable live shows and growing your fan base. It also means they work like dogs to keep their music out their and in front of peoples faces. Depending on the genre of music you are in, the front man or woman attributes my need to vary to certain style, but one thing always is constant, they always command the stage.

Let’s take a look at a very talented front man as an example. Gary Cherone has fronted the hit rock band Extreme and the legendary Van Halen. He is also currently fronting a band called Hurtsmile with his brother Mark. Gary has a very theatrical, animated and energetic stage presence. Gary’s style isn’t for everybody but it doesn’t have to be, as a matter of fact not one front mans is. Gary owns the stage and because of that, he has been able to front two major bands, one of the biggest rock bands of all time actually. Some people may not think Gary was a good fit for Van Halen but I completely disagree. Gary did his job and he did it well. Go back with an open mind (forget David and Sammy) and watch the live videos from the Van Halen 3 tour concert clips or any Extreme show. Trust me, he wouldn’t have gotten the most coveted front man job in the world if he wasn’t very good at what he did. Gary has captured audiences for years and has a strong fan base having sold over 10 million albums and a #1 hit single with “More Than Words” in Extreme alone. He has an incredibly compelling style and if you listen to the many different genres of songs he did with Extreme or on his solo album you can see how much a of a provocative singer and front man he is.

That charisma that Gary brings to the table is high energy, raw at times very intimate with the slower songs. You can see his theatrical background (he was in “Jesus Christ Superstar”) with his over the top stage presence, which always gives the audience something to look at. He allows them to see that he is completely into and lost in his “zone” during his performance. There is no doubt as to where Gary belongs when he is on stage. You know how much he loves his job every minute of every performance. Watch closely what he does when he isn’t singing such as during guitar solos. Notice how he doesn’t distract from or sing over the other musicians but yet he either adds to the moment or keeps the energy up while waiting for his spot to sing again. Watch how Gary interacts with the crowd and keeps them involved and how he makes them feel each performance is just for them. Watch what he says at the start of the show, in between songs and the end of the night as well. Gary gives it everything he’s got every performance and isn’t worried about the people in the crowd with their arms crossed. By the time the show is over Gary has left everything on the stage and he wins them over with a very honest and real performance. He doesn’t worry about the audience members who are negative. He let’s the people who love the show spread the word. He let’s the system work for him. Gary gives the audience what they want, a real powerful, energetic and professional show. He is a thankful performer and in return, he and the band develop a devoted international fan base and Gary is able to create opportunities very few front men have been able to do.

To many times front men or women don’t really take their jobs seriously or maybe are unfamiliar with everything it really takes to “bring it” to the show. Many are just lazy about preparing for a show. Don’t let this happen to you ever. Take a cue from Firehouse front man C. J. Snare and always be professional and prepared. Treat every show like it’s the most important show you have ever done. You have to learn how to own that stage and work the crowd. You have to “flip the switch” when you get on stage and become that “rock star.” Know what city or venue you are playing in. You should know the names of the bands playing with you that night. Engage your crowd and invite them to your party. You are the host. Bring them in and entertain them. Learn to lead them especially on a night that is tough or there are not very many people in the room and there is not an “energetic” atmosphere. You have to bring the crowd that energy and get them “into” the show.

Go back and do a study of not only your favorite front men or women, but also the ones who are very successful at being that leader. Your job is to constantly improve not only your singing skills but also your stage presence, charisma and speaking skills. Don’t let genres or eras prevent you from learning from the best. You can learn as much from a classical/pop artist like Lara Fabian as you can from a rock star like Brett Michaels.

Just remember that being a great front man or woman continues when you are off the stage as well. It is a 24 hour a day job. We will dive into that next time so stay tuned.

Good Luck!