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Goldy LockS Band Announces the Release of the “Goodnight” Project.

Goldy LockS Band Announces the Release of The “Goodnight” Project.

Nashville-based entertainment firm, The Lowry Agency, has officially announced the release of “The Goodnight Project,” a fundraising campaign for the promotion of the single and video “Goodnight” by the rock band Goldy LockS.”

Nashville, TN – Nashville-based entertainment firm, The Lowry Agency, has officially announced the release of “The Goodnight Project” fundraising campaign for the rock band “Goldy LockS.”

“The Goodnight Project is very near and dear to my heart as it started as a song written to mother about her fight with the terminal illness “Crohn’s” disease. This campaign is to help anyone who wants to contribute, to say “Goodnight” to someone they love in a very unique and eternal way.” – says Goldy Locks

Born and raised in Minneapolis, MN and a transplant to Music City Nashville, TN, Goldy LockS has played all over the world and with musicians and professionals such as Ted Nugent, Pink, James Maynard Keenan, Pat Benatar, Bret Michaels, Stevie Nicks, Saliva, Sevendust, Puddle of Mudd, Nickleback, Three Doors Down, One Republic, Tommy Lee, Jimmy Jam and Terry Lewis and Dallas Austin.

David Lowry, President of The Lowry Agency remarked, “Goldy LockS is the hardest working, most dedicated and creative artist I have ever had the pleasure of working with. It is an honor and a blast to be a part of this campaign and work side by side with her.”

To find out more about this campaign or contribute you can go to www.indiegogo.com/thegoodnightproject.

The Lowry Agency is a full service artist management/development and promotions agency. Primarily they work with musicians, actors, speakers, voice over artists, entertainment companies, music coordination/supervision for film and TV as well as MMA promotions. The Lowry Agency helps clients to meet and exceed their business goals.

More information about Goldy LockS can be found on the following web sites and social media networks:

www.goldylocks.net

www.facbook.com/goldylocksband

www.twitter.com/goldylocksrocks

 

 

 

Promotion – Everybody Point a Finger

I have written a couple blogs about the need and responsibility for promotion in an artists career, “Self Promotion – Why It’s Must” and “Creating A Buzz – It’s Your Responsibility,” but even with local artists that have read the blog, it seams to have fallen on deaf ears. When an artist builds a team around them to try and make things happen (especially if there is no money behind them), it is absolutely critical than the artist/band have an amazing handle on promotion.

I had a couple meetings recently with an artist that completely and totally gets it. It was so refreshing, but after talking about our pasts, we grew up in exactly the same camp so it was no wonder. I want to talk about the need for a committed, determined and long-term plan. If you are an artist with no history of success in the business, no name recognition and a very small fan base, there is no getting around this, and almost no team can make things happen for you with out it. Independent artists can do this for themselves and should as it is their responsibility, but many rely on others on their team to do it and don’t pay them at all for the work being done.

This isn’t the same scene it was 20 years ago for your team to gets big commissions on label deals and teams of people who are paid to do this once you get signed. Be prepared to do it yourself or be prepared to pay someone to do it for you. Most managers today are charging a retainer for small bands for all this extra work as this is a lot of work to break an unknown band. They are consultants like any PR or legal team and they deserve to get paid for their work just as much as any other consultant. Your team should be free to focus on the big deals based on your marketing, promotion and buzz, they should not doing all this little stuff they don’t make money on. You and your band should have this in hand especially if you can’t afford a team to develop your buzz for you. Trust me a small percentage of a bands door guarantee or $250 gig, is NOT getting paid for all this extra work. This band is YOUR business; you should be taking it on the chin for the extra work not your team.

So what is good promotion? I can tell you what it’s not. It’s not a couple Facebook posts or tweets. That is almost no promotion what so ever. Promotion covers so many things. It’s the art of branding your band, name and artistry. It’s a 24/7 job and it takes form in all media, merchandise sales and performance. You have social media, print media, radio/tv and live touring. All these have to be covered all the time. Let’s take some time with each.

Social Media: Having a consistent online presence is absolutely critical but is only a part of your overall media campaign. Unfortunately too many artists use this as their only or main promotion and even then do it very poorly. They only post a show a couple times or post it to late for it to matter. They don’t promote their interviews often enough before and after the fact. This goes for their press releases, newsletters, articles etc… Remember the latest statistic on Facebook is that only 7% of your audience sees your post so to post it once is very poor marketing and if you have a small fan base which means under say 100,000 followers you aren’t hitting many people. Promotion is all about the number impressions you can make for your band name. A social media strategy is necessary and it must have great content, be creative and be consistent without the artist getting trapped at the computer all day.

Print Media: Print media is everything from posters, flyers, table tents, cards, business cards, signs, pamphlets, brochures, one pages, advertising in the local rags, articles, basically anything on paper. This is VERY necessary still today. You name needs to be everywhere at every gig, on your merch table with signs, cards etc…. You should have contacted all the local media about your upcoming shows in print media to make sure it’s listed. With ArtistData.com this is much easier to make happen now and not time consuming at all. All of your interviews and articles should be reposted many times and printed out and left out for people to find and read about you. This isn’t rocket science kids, those that want it bad enough will do what it takes.

Radio promotion is another huge part of promotion whether it be having a single on the radio, touring stations in the cities you are playing to get them to play your single, promote the show, interview the band and talk about you over the airwaves. Radio is still relevant enough as their audience is much bigger than most of the bands will ever have on their own. Learn to utilize this tool and work it for all it’s worth. Create great relationships with Program Directors and always be very respectful and thankful that anyone cares enough to say anything about your band.

TV is the same thing. What is your story? Can you utilize that to get press coverage on TV? Are their local shows or shows in the cities you will be playing that your story makes sense for them to air?

When most bands tell me they are working their ass off, all I have to do is take a couple minutes to look at this and then I know the truth. Most artists have no idea what that really means and usually if a band or artist is doing all this, it is almost always to left one person in the group while the rest sit around with their thumbs up their butt expecting things to change for them. Then they find everyone else to blame their lack of buzz instead of realizing they simply didn’t do or have what it takes from a drive level to make things happen.

You have to understand what promotion, marketing, branding and buzz truly is. Branding is having your name or logo everywhere. People should be thinking that all they see is your name everywhere so this band must be doing something. If you do everything you can, you will see an uptick in your bookings and ability to get more yeses then no’s, which is what it is all about.

If you tell me that print media is irrelevant or nobody does this anymore, then I know you don’t understand anything about promotion, branding or marketing. Your fliers most of the time probably aren’t going to bring people to the show that first time they see it, but after seeing your name everywhere enough times, people will start to come check you out. It’s a process, sometimes a large arduous one, but it’s the way most things happens.

So here is my challenge to you. Quit blaming everyone else for what you are not doing. Quit making excuses as to why you can’t do it. Quit expecting people to work for you for free and thinking that a tiny percentage of your door is going to pay a manager, promoter or booking agent enough to do what you are unwilling to do for yourself. Build a budget, find a way to fund the budget so you can afford your promotional campaign and actually go work you ass off to make things happen. Remember, you can’t control or rely on what other people do to promote your band whether it be a venue, promoter or local rag for your shows or events. It’s up to you to really drive this. You will drive yourself crazy and blaming others is never going to change things. Take it upon yourself to run your business and promote as much as you can to ensure greater success.

It’s a brave new world out there for those that are willing to take control of their business and future. Respect the work ethic, make it happen and give your team something to work with otherwise quit complaining about what every other band is making happen and get out of the way of those who actually give it everything they got. You are just watering down the field and making it harder for everyone else with real drive to achieve the success they are looking for.

Good Luck!

From a Different Point of View

 By David Lowry

Many times when we read about money in the entertainment business, it’s from the perspective of what the artist makes. Most articles center on how artists are taken advantage of and that the “business” people are just greedy jack asses who do nothing for their money. Well for this blog we are flipping this point of view to that of the business that is putting everything on the line for the small artists that have no money, no fan base, have been gone so long that you have to basically start over or not enough tour dates to pay anyone for their time.

When an artist brings on a team member such as a manager, booking agent or PR consultant the artists considers it “hiring” this particular team member or members. Well if you aren’t paying the team member what his or her hourly fee or retainer is and your average show guarantee is say less that $2,500 per, then you haven’t “hired” anyone. What has happened, is the team member believes that artist is worth the extra work and lesser amount of pay at least for a short while unless the artist isn’t building up their business. If the artist isn’t building their business, then the team member will look elsewhere for it’s cash flow so it can stay in business. Making a small percentage of a tiny door deal where the artist can’t get 30 people into a room let alone sell it out is not enough money for anyone to survive on. Now most of the time, an artist like this doesn’t need any team members, but let’s say that an artist was lucky enough to find someone to help them in spite of the lack of fan base, gigs or cash flow behind them.

First off, if the artist is tiny and not established, then the artist needs to be realistic and know they are not going to get the bulk of the team member’s time. If the team member is working as hard as they can with what they have, then they expect the artist to do the same. That means everyone who gets on that stage and plays is responsible to work as hard as they can. Not just one of the band members. I know with my business, we make it abundantly clear before anything is signed, that if the artist doesn’t work as hard as we do then we will let them go. There are no guarantees in this business and we don’t want to waste time with artists that don’t work every inch of their career to the max.

What does this mean for the artist? It means that the artist needs to promote every show as much as possible in every form of media possible as much as they can. It means that they need to make sure that they sell as many tickets as possible so that everyone is making more money for the amount of work the artist isn’t already paying them. That means texting if no shows up, it means emailing last minute, it means having a superior social media campaign etc… this especially important for your booking agent to make money but also to be more effective in getting you better gigs. It means making sure you sell more merchandise at every show by being proactive and manning your merch booth, walking the venue with your product to sell. Engaging the crowd the whole time you are there. It means that understanding your job isn’t done until the bar is closing down. Once you get off the stage, you don’t head to the bar and drink. You work the crowd the whole night. These are your working hours. This is your opportunity to make the money you are complaining about that you don’t make. Your team can’t do this for you but it is why they work so hard to get you in this position. This is your time to shine.

This also means making sure your merch is in good shape. No crappy stickers, no broken plexi-glass holders, no pens that don’t work. Your merch area should be professional, clean and able to showcase your products and band to it’s utmost. It means always having a cash box with cash for your shows after we have told you a million times. It means having a checklist for your shows so you don’t forget anything after we have told you a million times. This is common sense stuff that for some reason has to be repeated over and over again. Eventually, we just quit telling those artists that just don’t care enough to make it happen.

I can’t tell you how many times an artist hasn’t paid our commission or fees to us but still expect us to work on their career. Has asked us to take less then our fee so they could make more. Has complained that because they knew someone at the venue they shouldn’t have to pay us what the contract states even though we booked the gig and the artist had nothing to do with it. Have made us push dates back time after time so we work three times as hard to just get paid way down the road. Has demanded we pay them the day of the gig but is always late paying us. If you aren’t paying us what the contract states, if you haven’t busted your ass for every second trying to get as many tickets sold or sell as much merch as you can, then you we don’t work for you. You haven’t hired us, you lied to us about how hard you were going to work and that you were going to do whatever it takes. Do you go to your day job and let them tell you they don’t want to pay you as much because they can’t afford it? Do you go to work everyday expecting to not receive a check?  Do you go to work every day to work for free? Don’t you go to work every day expecting the company that “hired” you to be able to grow their revenue to pay you your salary? Well guess what, we expect the same from you.

We aren’t going to babysit artists anymore that can’t get their business together. This isn’t the old days when contracts were huge and everyone had money to throw at an artist so the team actually made good money. It’s a new day, a new age in the music business and it’s harder than ever for your team members to make things happen for you. They aren’t going to do it for free, they aren’t going to “just believe in you,” especially since we see how most artists don’t have the work ethic needed to make this happen today we aren’t going to do it for a discount and we aren’t going to spend vast amounts of time on an artist that can’t sell 10 tickets on average per show.

You see, businesses like ours project how much income they see coming based on what the artists have coming in from bookings, deals, retainers and the like. If the artist arbitrarily decides it doesn’t want to pay, wants to pay less (which happens all the time) or constantly cancels dates or pushes them back, then it puts the team members in a very bad position and they aren’t going to work as hard on you and it makes you unprofessional. You are now an untrustworthy client on which you can’t be relied on and so your team members will find clients that can. You are messing with peoples livelihoods.

If the artist can’t commit to bring the absolute best work ethic, product and show to the table to make sure they are making as much money for their team as possible, they should never expect it from the team that is getting paid nothing to almost nothing. If you don’t want it bad enough to work your ass off, pay the people you “hire” and make sure you have a fighting chance at making this career, then don’t ever “hire” a team member. You can’t afford it and you shouldn’t ever treat your team like that. They are expecting you to bring it every show so they can make as much money as possible just like you are trying to do for your career. Remember, this is a team. A team works together to make it happen, not just the team members making the artist more money. If you want your team to make you as much money as possible, you should be doing the same for them as well especially in your beginning stages.

I hope this helps you see it from our perspective a bit. It’s not meant to be an harsh blog, it’s meant to point out that this is a business and we all have bills to pay and we can’t work with people who won’t do everything possible to make the team they “hired” as much money as possible to survive just like they expect the team to do for them.

Best of luck!

Live From Music City with Social Media Expert Michael Brandvold

“Live From Music City,” a weekly radio show that airs on Tuesday nights at 8:00 pm CST on blog talk radio (www.blogtalkradio.com/live-from-music-city), welcomes entertainment/music industry marketing consultant Michael Brandvold (http://www.michaelbrandvold.com/) who will share about his new e-book “Kiss School of Marketing: 11 Lessons I Learned While Working With Kiss.”k series, “How To Market Like A Rock Star!”

“Live From Music City” is now on Stitcher Radio!

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Downloading is easy, go to Stitcher.com or check out your app store. Stitcher SmartRadio- The Smarter Way to listen to radio.

 

Live From Music City podcast with Music Marketing Expert Brian Thompson of Thorny Bleeder Records

“Live From Music City,” a weekly radio show that airs on Tuesday nights at 8:00 pm CST on blog talk radio (www.blogtalkradio.com/live-from-music-city), welcomes music guru Brian Thompson of Thorny Bleeder Records (www.thornybleeder.com) and the DIY Daily Blog (www.thediydaily.com) and the Music Biz Weekly Podcast to discuss the music industry and strategies indie artists can use to make it!

http://www.blogtalkradio.com/live-from-music-city/2012/04/18/live-from-music-city-with-music-guru-brian-thompson