More Social Media Etiquette When Approaching Entertainment Industry Contacts

More Social Media Etiquette When Approaching Entertainment Industry Contacts

A while back, I wrote a blog on “Social Media Etiquette When Approaching Entertainment Business Contacts” http://wp.me/pu8Se-4 and I can see I need to expand upon that topic. For those of you in the entertainment industry looking for the person to help you get your big break, you need to understand what you should and should not do when approaching them. It will only help your chances in getting the help you need and increase the odds of success in an industry where “making it” is very slim.

First off, don’t spam people with your links of any kind. That is the fastest way to getting no one to pay attention to you. If you use twitter, do not have an auto DM set up with your links for people to check you out. Develop relationships first; if you are interesting to them they will check you out. Otherwise, you are just another spammer.

Secondly, don’t send the same message to a hundred different industry people on your open time line for us all to see. That is another sure way to make sure no one pays attention to you. Don’t be so lazy and don’t be so insulting to our intelligence.

Thirdly, if we do check you out, we will check your account first before watching your video or visiting your web page. If you act unprofessional, use horrible language, do nothing but hit on other people then we know how professional you really are by that alone. Do not engage in any type of unprofessionalism, slander, libel, or any other thing that detracts from your true goal. Nothing says unprofessional faster than your behavior online. Stay clean, focused and use appropriate language and marketing. This goes for industry professionals as well.

Fourthly, don’t ask them to RT your music for you when they have a list of their own clients they are trying to promote. That isn’t fair to their clients, and usually they won’t anyway unless it’s a personal friend. Please remember, our DM boxes are filled with requests all day long from people asking us to “check them out” or “do you have any advice,” all this on top of our already overfilled days of work. Our jobs as managers, agents, PR — or whatever role we fill — is to get OUR clients form of entertainment out there, not anybody elses.

Lastly, make sure you know what they do before you contact them asking for representation. Look at their list of services. If they don’t say they are a talent agent, then don’t ask them to be yours. You can’t get everything from the title of a company. Do your research and make sure you don’t waste anyone’s time.

Good luck!

“Live From Music City” announces new 4 week series! “Press & PR… Often the Most Overlooked Piece of the Puzzle”

“Live From Music City” will start a four weeks series with Bob Bender of Bob Bender Productions (www.bobbenderprodctions.com) titled “Press & PR… Often the Most Overlooked Piece of the Puzzle.” The series will be heard during the first 30 minutes of the broadcast followed by an in depth interview with the musical artist that week. See the attached press release  for more info. http://www.prlog.org/11333558-live-from-music-city-announces-press-pr-often-the-most-overlooked-piece-of-the-puzzle.html

Concert Review for Damon Johnson on February 24th, 2011 at Juanita’s in Little Rock, AR.

Concert review provided by “Live From Music City” helper Kelly Foshee

 

Damon Johnson proved once again that he still has what it takes as a songwriter, guitar player, vocalist, and entertainer. Is there anything this man can’t do? He was a founding member and front man of the hard rock band Brother Cane, current guitar player for Alice Cooper, writes hit songs, and is finishing a tour in support of his second solo acoustic album “Release.”

Damon’s guitar playing lacked for nothing. Whether he was playing a smooth, slower song like “Pontiac” or rocking it hard on “Got no Shame,” Damon never missed a beat. He is just as great live as he is recorded…maybe even better. The last several songs he played were requests from the audience, mostly songs from his Brother Cane days. After the show Damon hung out, signing autographs, visiting with fans, and having his picture taken. Every fan left with a smile on their face. This is an artist who wants to make his fans happy, and he did just that. – Kelly Foshee

World-renowned clinical hypnotherapist Todd Newton signs with The Lowry Agency!

Nashville-based entertainment firm The Lowry Agency has officially announced the addition of internationally noted life coach and clinical hypnotherapist Todd Newton to their rapidly expanding client roster. Todd Newton will be working with The Lowry Agency as part of an exclusive speaking contract. The Lowry Agency will also be exclusively handling the promotion of Newton’s “Hypnotastic”, the exciting and hilarious stage hypnosis show currently on tour.

http://www.prlog.org/11066892-world-renowned-clinical-hypnotherapist-todd-newton-signs-with-the-lowry-agency.html

The Show .. What To Wear?

The Show.. What to Wear?

by Sass Jordan, The Lowry Agency Artist

I Want To Believe

Stage clothes .. the dreaded task …

Long ago and far away, there were once fascinating, flashy, shiny creatures that lived under lights and on stages with smoke and fire and loud, rhythmic noises .. we called them ‘Rock Stars’. They were akin to the mythical dragons that once roamed the earth, and they are now extinct. They wore colors and jewels and wonderful fabrics, they had astonishing manes of hair, and there was really nothing subtle about them … they were mighty, and they lived in magical lands that the rest of us had no access to except when we would go to see them do their thing on a stage or a television show.

FlashForward … Today. Now everyone you know is either in a band, has a family member in one, or a friend in one. Music has become ubiquitous everywhere you go, and EVERYONE thinks they can write it, play it and perform it. Or pretty much everyone. The general public has become so desensitized to almost everything that it takes a gargantuan effort of will and ambition just to be noticed at all! One of the old ways has survived, though, and that is the ‘image’ that you project. Your image is largely defined by the clothes you wear and the way you style your hair and makeup, and of course, last but not least, the way you carry yourself.

Finding the right clothes to express you AND your music is a tough task,  made all the more so these days by the mass availability of shiny, flashy clothing, which used to be the domain of rock stars and movie stars – but, like I mentioned, today, everyone’s a star, baby !!! Your choice of clothing has to reflect your style of music as well as be eye-catching, if you really want it to work for you. We went through the antithesis of this in the early ’90′s, with grunge and garage being the fashion, but in the end, I think people want their entertainers to give them something to aspire to themselves – albeit perhaps in a slightly more toned- down manner.

The guidelines I personally use for stage clothing are these …

1. Is it comfortable? Does it move with me or against me?

2. Is it restrictive in the diaphragm area?

3. Is it transparent? Is it reflective of light?

4. Will it get caught in the mic or stand or whatever?

5. DOES IT MAKE ME LOOK FAT? (LOL)

6. What is it saying about me in general?

When you are on a stage you don’t want to wear something that is going to make you blend into the background – you wanna wear something that is going to be eye catching .. it’s part of the show! Of course you will make mistakes and wonder how your friends could have let you be seen in public like that .. but hey, that’s why you need  new friends .. (joke). In the end, I try not to wear anything that is going to distract from my performance, either from my point of view or the audiences. I once saw a really great singer who was wearing a rather short dress onstage, and honestly, I spent so much of her performance worrying about people trying to look up her dress that I basically missed the show. Another time, the singer’s jeans were so tight that when he put his leg up on the monitor whilst singing, the whole seam split open, and left him hanging there, so to speak … it took me a whole week to recover from the sore muscles from laughing so hard and I remember NOTHING else about that show.