#Rock

“Rubicon Cross” EP Review

R U Angry

I get the opportunity to listen to all kinds of new music, and to be honest when it comes to rock/metal over the last few years I am usually very disappointed. It seems that the art of good songwriting and melodic lines have completely gone out the window. I rarely even get to hear good playing, let alone amazing guitar solos or great vocal harmonies. So when CJ Snare, the lead singer of the Grammy award-winning rock band “Firehouse” asked me to listen to his new four song self-titled EP “Rubicon Cross” that he cowrote with “Furyon” guitarist Chris Green, I was very excited. CJ has proven in the past he knows how to write a hit song and has always excelled in the vocal department, so I had fairly high expectations when I first decided to listen to and review this EP.

I have had CJ on my radio show “Live From Music City” a number of times, he even guest hosted with me for its one year anniversary, so I wanted to make sure I was giving this a fair listen and review and not letting my personal feelings cloud my judgment. Therefore, I have taken my time and listened to this EP many, many times. With that being said, please know, I have written this review from as honest and straightforward a point of view as I can with no bias whatsoever.

The first song, “Moving On” starts with an acoustic guitar instrumental and CJ’s vocal lines setting the tone or so we think until about 50 seconds into the song when it picks up into an energetic rock song with a great guitar riff. This song does what so many of them don’t anymore; it uses dynamics very successfully and adds so much more depth and dimension to the feel and mood of the song. Chris Green’s use of space, acoustic playing remind you that there is so much more you can do with a guitar than is being done with most rock music today. The guitar tone here is perfect. It is heavy with plenty of “aunch” but also crystal clear. You can hear everything perfectly which speaks highly of Chris’s ear and the production of this song. CJ has written another lyrically solid song with a good hook and his ability to create great vocal melodies to keep the listener tuned in doesn’t fail here. The guitar solo never strays from its purpose of telling a story within a story. Chris uses octaves and melodic runs very effectively without taking away from the song or feel. Nothing about this song feels out-of-place and the overall arrangement is very strong. “Moving On” sets the tone for the rest of the EP very effectively and is a very strong effort for CJ and Chris.

Song number two, “Next Worst Enemy” starts off strong right out the gate. A heavy, fun guitar riff with a different guitar tone, and to be honest Chris’ use of varying the use of rhythmic patterns and riffs keeps the song fresh at all times. This song has “hit” written all over it, as the hook is strong! CJ brings a great growl to the song but yet keeps the vocal melodies in place and has really excelled here at bringing back the something that is missing in rock music today, fun, while not messing with the integrity of the song. It still rocks your face off and makes you want to pump your fist in the air along with it. Again Chris Green proves he belongs in the big leagues with his guitar solo. Another very melodic song within a song. He never overplays and yet shows that he has the chops to hang with anybody. That is a sign of a mature songwriter and guitar player. There is a lot to be said in that and kudos to Chris for doing exactly what the song needs and nothing else. “Next Worst Enemy” provides a great example in rhythmic syncopation, which just keeps the song punching through without ever plodding or getting lost or boring.

“R U Angry” is the third song on the EP. Starting off mellow but immediately bursting into a great rock riff then settling into a chord arpeggiation for the verse. Chris then picks it up in the pre-chorus with a faster arpeggiation before big chords, single lines and variations in the chorus. Another huge hook for the chorus with a big CJ scream sets the stage for another “I told you so” it’s all in the songwriting moment from CJ. Chris lets it all hang out in this solo. I truly wish that more guitar players would listen to Chris and learn what it means to write a great solo. Chris has brought back something sorely lacking in today’s rock music. Solos with a purpose, statement, melody and just enough flash to make you go wow! The songs are so good that sometimes you forget that they were written out of their experiences and the message shouldn’t be lost on prowess of the individuals and that is another area where CJ tops most vocalists. He keeps you engaged and emotionally tied to the songs so that you experience the meaning behind the lyrics.

“Shine” is the fourth and last song on the EP. It starts off as an acoustic ballad and harkens back to a time when songwriting was about saying something not how outrageous you can be to get attention. As good as CJ is at writing a hook, he never lets the message get lost for the sake of a hit. The song builds a bit in the second verse with addition of clean electric guitars, bass and drums. Chris plays a sweet melodic solo with the use of wah-wah pedal that thankfully sounds like someone who knows how to use it correctly. “Shine” is another solid effort from CJ and Chris that sits perfectly in their wheelhouse of good contemporary songwriting.

In summary, “Rubicon Cross” is a very good EP that should remind people of what good songwriting, talent, production and creativity should bring to the table. Every song works here, there are no filler songs taking up space. CJ and Chris have shown that they have what it takes to make great music that never goes out of style and also the chops to take their songwriting to a different level then most. That is what good song writing is, songs that paint a musical picture in one’s mind and that is exactly what “Rubicon Cross” pulls off.

You can purchase the EP here: http://ht.ly/5JTa9 

Note: At the time of this writing, The Lowry Agency has no affiliation with “Rubicon Cross”, CJ Snare, Chris Green or “Furyon.”

Singer/songwriter/musician Dan Reed guest on “Live From Music City.”

“Live From Music City,” a weekly radio show that airs on Tuesday nights at 8:00 pm CST on blog talk radio (www.blogtalkradio.com/live-from-music-city), welcomes singer/songwriter Dan Reed (http://www.danreed.com) to discuss his music career. Also on “Live From Music City” will be special guest Christopher Buttner of “PR That Rocks.” (http://www.prthatrocks.com/) Buttner will share part three of a four-part series on PR.
http://www.prlog.org/11585371-singersongwritermusician-dan-reed-guest-on-live-from-music-city.html

It’s All About The Music… Or Is It?

It’s all about the music . . . Or is it?

And Fools Shine On

The great debate out there is it should be all about the music and not your image. This is true in a perfect world, but in a perfect world, people wouldn’t judge the book by its cover, all the band members would work equally as hard as the one currently doing all the work, and people would actually click on the music before seeing your pics, website or press kit. This isn’t a perfect world, not even close. Don’t get me wrong; I am not downplaying the importance of your songwriting. What I am saying is, if you think that your songwriting alone is going to be enough, then make sure you have the patience of Job. You need every advantage you can get in this business to get noticed.

Part of realizing why your image is so important is having an understanding of your core audience and understanding what the general public is looking for. Not everyone wants a deep song like Dylan would write, and not everyone likes a Lady Gaga pop tune that can be incessantly silly but catchy as hell.

Most people who go to live shows go to be entertained. Musicians sometimes forget that they are entertainers just as much as they are musicians or storytellers. Some musicians don’t have the immense musical talent others do, but they are much better entertainers, so they may have a much better selling tour than the more talented musicians. When I pay money to see a live band, I want to be entertained. I can see how talented you are by what you play, how you play, your phrasing, etc.

Most of us grew up wanting to be “Rock Stars” clutching a hairbrush microphone in front of the mirror, or playing air guitar to our favorite songs. We wanted to be larger than life. We wanted to help other people escape their busy stressful lives and transport them to a different place like all of our favorites did for us!

Most of the audience has dreamed of wanting to be that “larger than life rock star.” They look up to their favorite artists; want to get to know them. They want to spread the word about them. Well a big part of that is the image they put forward, the mystique they put out and being very cool while still somewhat accessible.

Small independent artists don’t usually have a back catalogue of hits to tour off of.  That means it’s a much harder road to book shows and win over fans. Decide what your goals are as a musician or band and then decide if you’re ok with possibly not having as many fans or not making as much money due to where your musical priorities lie, or if you’re going to be amazing entertainers who still write great songs people can related to and identify with.

There is no right or wrong here but there is reality. For artists that completely and totally have the drive like Tori Amos or Ani DeFranco to get their music out there and don’t take no for answer, you can make it in the business with non-stop hard work. But note, they both had a very distinct and defined image. For the artists that don’t have that skill set, the business mindset or a band where everyone is putting 110% forward in every aspect of growing the business, image becomes absolutely critical to set yourself apart and attract attention to you.

Here are a few hints to think about if you are going for an image. Don’t dress on stage like you are going to Wal-Mart.  Don’t wear a wife-beater tank top if you don’t have the body for it — it looks pathetic and laughable, not cool, plus no one wants to see your man boobs. Everyone in the band should look like they “fit” in the band, not half one way and the other half like they are going to go chop wood. Be original and find your own image and quit copying everyone else. If I see one more Dimebag Darrell wannabe, I’ll find another use for that very pointy guitar of yours. But most importantly, don’t skimp on your photography, artwork and press kit.  You get what you pay for, so take it very seriously and plan it out ahead of time. Know what you are doing and why you are doing it.

Good Luck!

Damon Johnson and American Rock Band Brother Cane Sign With The Lowry Agency

Nashville-based entertainment firm, The Lowry Agency, has officially announced the addition of guitarist/vocalist/songwriter Damon Johnson (http://www.damonjohnson.com) and Brother Cane to their client roster.
“I am honored and motivated to be working with The Lowry Agency. Weapons on kill! Strap in kids . . . here we go!” says Johnson about signing with The Lowry Agency.
Johnson first came on the national music scene as the frontman, guitarist and principal songwriter for Brother Cane, which was formed in 1990 by Johnson. Brother Cane released their self-titled debut album in 1993, which yielded them a number 1 single (“Got No Shame”) on rock radio. This success was followed with two subsequent number 1 singles, “And Fools Shine On” from their second album, “Seeds,” which was included in the soundtrack for “Halloween: The Curse of Michael Myers” in 1995, and “I Lie In The Bed I Make,” from the album “Wishpool” in 1998. (http://www.youtube.com/watch?v=E39ckUBOrO0)
http://www.prweb.com/releases/2011/6/prweb8511160.htm

Rob Parissi of “Play That Funky Music” fame on “Live From Music City.”

“Live From Music City,” a weekly radio show that airs on Tuesday nights at 8:00 pm CST on blog talk radio (www.blogtalkradio.com/live-from-music-city), welcomes Rob Parissi (http://www.robparissi.com) to discuss his long-lasting and hugely diverse music career.
http://www.prlog.org/11512550-rob-parissi-of-play-that-funky-music-fame-on-live-from-music-city.html

American Pop-Rock Musician/Singer/Songwriter/Record Producer Tommy James on Live From Music City

“Live From Music City,” a weekly radio show that airs on Tuesday nights at 8:00 pm CST on blog talk radio (www.blogtalkradio.com/live-from-music-city), welcomes American pop-rock musician, singer, songwriter and record producer Tommy James (http://www.tommyjames.com) to discuss his music career.
http://www.prlog.org/11498735-american-pop-rock-musiciansingersongwriterrecord-producer-tommy-james-on-live-from-music-city.html

Greg Kihn and Michael Brandvold on “Live From Music City.”

“Live From Music City,” a weekly radio show that airs on Tuesday nights at 8:00 pm CST on blog talk radio (www.blogtalkradio.com/live-from-music-city), welcomes entertainment/music industry marketing consultant Michael Brandvold (http://www.michaelbrandvold.com) in the third of a four-week series, “How To Market Like A Rock Star!” Also joining the show is Greg Kihn (http://www.gregkihn.com/) of the Greg Kihn Band, who also happens to be the San Franciso Bay Area’s #1 FM reigning Radio Morning Man.
http://www.prlog.org/11461119-greg-kihn-and-michael-brandvold-on-live-from-music-city.html

Stryper Concert Review With Black Water James The Wildhorse Saloon Nashville, TN March 18th, 2011

Stryper Concert Review With Black Water James The Wildhorse Saloon Nashville, TN March 18th, 2011

By David Lowry

I was anticipating a good show on this night, as I have never seen a “bad” Stryper concert, so I was excited to be there from the beginning. What I left the show feeling was a shock even to me. I came as a fan; I left as an even bigger one. Let’s start with the opening act Black Water James.

I have seen Black Water James once previously about six weeks ago, so I knew what I was in for when they came on. I was looking forward to seeing them again as I was hoping to see improvement because they were in a much better venue.

Black Water James has a lot of energy and a lot of potential as a rock band. They were pretty good for about the first four songs but then I noticed that all the songs started to sound the same. Both times I have seen them now, about three quarters of the way through their set, everything does sound a bit the same.

Greater dynamics are needed and catchier hooks to keep the audience in it the whole time. The band brings a decent image and are decent musicians, but the song writing is still a little weak for such a long set. I also question the order of the songs. It seems their best material is all in the front of the set closing it out with weaker, less “hooky” songs.

They attempt dual guitar solos, which is great, but would be better if they were in harmony, not just an octave apart or in unison. Also the guitar solos themselves are a bit weak in stating anything. They aren’t a story within the song. It comes off as mainly pentatonic noodling. Both players are capable and have great potential for doing more with this.

For a band of only 2 1/2 years, they are still one of the top five rock bands in Nashville and do portray a great energy on stage. The drummer is worth watching alone. He’s got great groove, stays in the pocket very well and puts on a great show. This band will do great things if they keep improving and don’t lose focus. They were certainly up to the challenge of opening for Stryper and aren’t afraid to let it all hang out.

When Stryper took the stage, the bar was raised tenfold. Not only do they look great, but also everything looks pristine. The stage is clean and uncluttered, the guitars are polished, the clothes are clean and pressed and they look like they belong in a band together. Their image is always good and their show is impeccable.

The songs were flawlessly played and crystal clear and they burst with energy. The band met the crowd with respect and humor. They really know how to connect with their audience and bring them in. During the whole show, the crowd was singing along word for word with every song. The band threw out many Bibles and picks to the fans who were all to eager to get one.

Michael Sweet’s voice was as amazing as ever. He hasn’t lost a thing vocally and in many ways is probably stronger. His guitar playing is on par with most of the great guitarists we think of. How often do you get to see a performer who is a world class vocalist and guitar player? Oz Fox has always been a top tier guitar player as well and successfully backs up Michael vocally on a few parts, giving Michael the rest his voice needed, showing again how incredibly talented this band truly is. Timothy Gaines, who is an amazing bass player in any style of music, drove the bus with Robert Sweet, keeping the rhythm section tight and thundering. His bass tone was perfect and really filled out the sound. Whether using his finger or a pick, the bass cut through and gave a serious foundation to the heavy guitars. Robert “The Visual Time Keeper” Sweet was as solid as he has ever been and always puts on an amazing drum workshop each concert. Easily one of the most underrated rock drummers of all time and he proves it every time I see him.

The one thing Stryper does better than anyone else I have ever seen is sing in harmony. Their harmonies were awesome! This band should be teaching younger bands what it takes to put on an incredible live show. They are so well rehearsed and professional that they are able to put it all on the line for a show that puts most bands I have ever seen to shame.

Stryper did three cover songs as well as the usual classics. They did “Over The Mountain” by Ozzy Osbourne, “Heaven and Hell” by Black Sabbath and “Shout It Out Loud” by Kiss. Their performance was flawless and on par with any of the performances I have seen of the original artists.

On a scale of 1 to 10 this concert gets a 9.5. The only deduction being it wasn’t long enough. The fans are having so much fun singing along at the show, the times flies by and it’s over in an instant. After doing the encore, Michael Sweet closed out in prayer, praying for everyone in the building and in Japan — again showing the heart this band has for its fans and the world.

In a nutshell, Stryper put on a better live show then 95% of any bands I have ever seen and they do it consistently. They are a text book band for younger generations to follow to learn from and understand why practice, talent, songwriting, vocal harmonies, solos, set preparation, stage presence and connecting with their audience are so critically important to the success of their career.

If you are on the fence about seeing Stryper on tour this year or have never seen them, go! Spend the money; it is so well worth it. You’ll get so much more than just a good show or performance. You’ll get a band that cares about its fans, the world and doing something greater than themselves. To find out more about Stryper and their tour dates, check out their website www.stryper.com.

Note: The Lowry Agency has no affiliation with anyone mentioned in this review.