Queensryche with Blackwater James at The Wildhorse Saloon in Nashville, TN November 2nd, 2011.
By David Lowry
Queensryche recently performed in Nashville, TN for their 30th Anniversary Tour at the Wildhorse Saloon. What impresses me is that after 30 years, Queensryche haven’t lost a step. It can be easy for a band to rest on their laurels after having major success – to just tour to make a living instead of always trying to raise the bar for themselves. In the case of Queensryche, they go out of their way to make sure each show is a flawless performance. Although 30 years into their career, fans can still expect a top notch live show from Queensryche.
Queensryche played a good mix of the new and old songs that defined their progressive metal sound. Geoff Tate, considered by many to be one of rock/metals greatest singers of all time, brought his theatrical showmanship and legendary vocals front and center like a great front man should do. His pitch was excellent as always and his distinctive vocal tone truly separates him from all the other vocalists out there. Geoff is always fresh sounding, inspiring and makes us wish we could all sing like him. He carried the audience through a journey of classics that brought back memories of better times and the days of our youth – cranking “Operation Mindcrime” on our stereos. Drummer Scott Rockenfield continues to impress as he has always been a great showman fueled by creativity, vitality and an uncanny sense of what to play and when to play it. His drumming has always been original and had it’s own voice within the songs. In a day when so many musicians over play and step all over the songs or vocalist, Scott brings a maturity to be admired and appreciated. Eddie Jackson was as solid as ever, bringing up the rhythm section with Scott. His playing is tight, vocal harmonies solid and he was able to interact with the crowd when able to get out from behind the microphone. Guitarist Michael Wilton played perfectly with that great “aunch” tone that Queensryche has always been known for. Watching Michael play those great chord voicings is a reminder to strive to not use power chords every second of a song. It was great to see Michael’s fingers flying around the fret board dialing in those solos we all love to hear. Parker Lundgren is a very under-rated and impressive guitar player. He plays effortlessly with great flair and filled the shoes of those before him very admirably. Parker is a great fit for the band with great harmony vocals; good stage presence and he nailed all the parts perfectly.
The Wildhorse Saloon was filled almost to capacity, which is a major achievement in Nashville for a rock band. It’s another feather in the cap for Queensryche as I have attended many shows where the venues isn’t even half full. The audience proved well versed in the new material as well as the old as they sang along with the words of every song proving that Queensryche fan base is as solid and rabid as ever. As I arrived early for the show, the line was already a block long going in both directions, another rarity in Nashville.
All in all, Queensryche is a band that has earned its reputation for being a completely unique, adventurously innovative and amazing live band. It’s well deserved and the amount of detail in their sets is something up and coming bands should aspire to. Queensryche’s sound is crystal clear, their performance and image are always top notch. The professionalism they project should be the rule for all bands and the level at which they perform should be the benchmark. Rarely will you find a band as well rehearsed as Queensryche nor as serious as bringing you a show you will never forget. They always leave you wanting more, which is a sign of an experienced band who have written a catalogue of songs that never get old.
Opening for Queensryche was the local band Blackwater James. Blackwater James came out on stage unfazed by the fact they were opening for such legends. They brought an energetic show and for the most part won over a crowd that was eager for Queensryche. As Blackwater James played, fists were pumping, heads were bobbing. From my point of view as I walked the room watching the band and the crowd, the audience really liked what they saw and heard in Blackwater James.
Singer Christopher James brings an energy and intensity that is refreshing. The twin pairing of guitar players Christopher James and Deanna Passarella are a lot of fun to watch. Both are capable guitarists with great stage presence. Bass player Josh Burns helps drive the bus with steady grooves, passion and a great vibe on stage. Drummer Todd Schlosser is an in the pocket drummer with a sense of presence that makes him extremely fun to watch. This band has potential and is getting better every show they do.
At the time of this writing, The Lowry Agency has no affiliation with Queensryche or Blackwater James.