#Acting

“It’s All About The Team Baby!”

“It’s All About The Team Baby!”

by Sass Jordan, Artist – The Lowry Agency

Stronger

Let’s face it .. you don’t do this alone. Even if you do all the work, and all the administration, booking, accounting, publicity, photography, performing, playing, travel planning, blogging, tweeting, booking, touring, advancing, writing, phones, ALL of that, and more, you’re still not doing it alone, because you do it for the fans – and they are what help you continue. As long as they want to see and hear you, you’re not alone.

On that note, the most important thing you can do for yourself and your work is to assemble a team of people that can facilitate the process for you. I think this holds true in pretty much any endeavour, but we are speaking in music business terms here, so that’s where we’ll focus. The craziness of running a musical ‘business’ can be pretty overwhelming. There are so many endless details to take care of, above and beyond the honing of your craft and developing your musical skills. I honestly have nothing but the utmost respect for performers who have managed to become well-known and can work consistently. Even if I don’t care for the musical style or even the personality, I still have huge respect, because I know what it takes to pull it off. It’s not for everyone. You need the courage of an lion, the patience of an ox and the energy of a jack russell terrier!

Probably the best place to start  a team with would be with a personal manager and a booking agent. You can build everything from there. I know people who have started with an entertainment lawyer .. but that works kind of the same way, because big entertainment lawyers know EVERYONE in the business end of things, and they can definitely hook you up with managers and agents, as well as publishers and record distributors etc. A manager is a wonderful player to have, but as usual, finding one who is going to be able to do the job the way you need it done with the budget you probably have, is a challenge.

You have to decide up front how you are going to pay people. That is a massively important point. If you are getting into a situation where you are signing on with a big management company, you will have little choice in the way things are done, and rightly so, as you need them far more than they need you. The thing to remember is, it is never THEIR name on the marquee, so any problems or situations that arise will be attributed to your name, not theirs. If you are hooking up with someone who is as unknown as you are, there are different things to watch out for, namely, do they have any experience at all, and how much will they understand what is going on and what needs to be done. The main selling point for a big , successful company is that they have endless contacts and lots of people that owe them favors. The downside is that you get lost in amongst all the big fish, the ones that make them all that money and favors. The main selling point for an unknown is that they are as hungry as you are, and have as much to prove as you do, therefore will work tirelessly on your account, with no other acts distracting them, and they will work to make you money, because that is how they make theirs! The downside, of course, is that they often don’t have a clue what they are doing, and they don’t have the clout to get you hooked up with other people that can help the cause.

In the end, you are going to have to go with your intuition and your own feeling on everything, as there are no hard and fast rules. If you have respect and integrity, you are likely to find that comes back to you – perhaps not every time, but by far most of the time. A team is the greatest thing you could have as a performer … and I wish you nothing but the best of luck in building one!

Merch Tables and Other Necessities….

Merch Tables and Other Necessitites…

by Sass Jordan, Artist – The Lowry Agency

High Road Easy

As an artist/performer in the slash and burn world of making a living playing music today, you have to have a fairly high level of people skills. There are a few performers that can get away with not saying or relating much-basically doing it through the music, but most of us need to develop a congenial type of relationship with our fans. We realize that it is not an easy thing for most people to come out and spend their well-earned cash – a lot of them are raising families and just trying to get along in today’s climate – not a particularly small task in this uncertain world. The skills I am talking about are related to making a fan feel included, making them feel they are part of the process. In fact, they are, in more ways than I can list, not the least of which is if there is no audience there is no show.

One of the best ways to create an on- going and loyal relationship with your fans is to sell your merchandise after the show. This way people get an opportunity to exchange a couple of words, get things signed, and get a pic with you. These things need to be set up properly, however, or you run the risk of having a bit of chaos on your hands. Assuming you and your crew know what you are doing, I think it’s an awesome way of understanding your audience, and getting a feel for the type of people that like your music and vibe. The more successful you are, the less easy it is to do this, of course, but then you can get into VIP packages for fans, where a select group (usually contest winners) can come and get things signed, pics taken and maybe even a little mini-concert before the big show. The only time I think it’s right to not do a signing is if you are too tired (bad for the voice), there is no security or professional set-up, or you have to travel immediately following the performance.

You do what you do FOR the public, for your fans, for your audience. Cultivating a meaningful relationship with the people who buy your wares is worth the time and the effort, and is a way of thanking them, as well.

Performance Series Part Two – Connecting With An Audience

Performance Series Part Two – Connecting With An Audience

by Sass Jordan – Artist, The Lowry Agency

Why Did You

Ahhh … the eternal question – how to connect with an audience?

For me, and audience is a collective energy. It ceases to be a bunch of different personalities, as it is impossible to relate one to one in a gathering of more than 3 or 4 individuals. So the audience is ONE person – a bunch of individuals that become ONE, kinda like the Borg on Star Trek. The thing about it is that each collective has a unique ‘personality’ that is created by the combination of all the individual personalities participating, including the performers.

So, the way I look at it is, how does this collective feel to me? Is it happy? Is it melancholy? Is it full of energy? Is it bored, or distracted? Is it aggressive? Is it drunk? Does it have a youthful feel, or an older feel? The feelings are subtle, but they are always there. As a performer, your job is to sense the atmosphere, and to guide it to wherever you want to go. I personally feel that my objective as an artist is to help people to express their feelings in a safe environment, and to feel uplifted by doing so. It is impossible to articulate how that happens in words, but the intent that you have makes a huge difference. You, as a performer, are in a powerful position to influence a collective ‘mood’, and it is therefore your responsibility to take that seriously. You can incite a riot, or a love – fest, and anything in between. You can also leave everyone utterly un-touched.

The primary  thing to remember on a stage is that the impression you give off is how people will interpret you. This includes your clothing and the way you hold your body. Confidence makes a massive difference to the collective’s interpretation of your abilities. It you feel a lack of confidence, it will show, and it will make people uncomfortable for you. They won’t know why they are feeling so uncertain and unsure themselves, necessarily, but you can be sure they won’t be enjoying themselves!

Finally, the more you believe in the song you are singing, and relating it to your OWN emotions, the more the collective will feel the same way. Emotion is the most powerful thing in the Universe, in my opinion, and it’s what makes music a Universal language. Music IS emotion. Singing IS emotion. Brilliant playing of a musical instrument IS emotion. The audience wants to be moved, to forget their troubles and tribulations, and to be assured that they are not alone in the feelings that they have. We are all the same underneath our skins and our belief systems. We all want to feel a part of something. When you, as a performer, connect with those feelings inside of yourself, you will communicate them to the collective. Connecting with an audience is as simple and as difficult as connecting with your own feelings and emotions.

That is what makes the difference between a great performer and an average one.

Self Promotion – Why It’s a Must

Self Promotion – Why It’s a Must

As I work with entertainers of all kinds, it amazes me how they have all this stuff going on and they don’t tell anyone.  I have them on my radio show and instead of creating a buzz and letting people know ahead of time, they maybe put one tweet out or do it just before they actually call in to the show.  The fans most likely missed the notification and couldn’t attend or listen because they weren’t forewarned and didn’t have enough time to tell their friends or plan to listen in. In this situation, the artist loses an opportunity to engage with the fans, and the fans lose out on hearing the latest and greatest from their favorite artist.

Part of growing your fan base is keeping on top of the updates regarding what you are up to.  The buzz is critically important to get people interested in you. This is especially true if you are looking for your big break.  The artist needs to find the time to take advantage of promoting any opportunities that come and promote it before AND after the event scheduled.  Be sure to send updates after the show so that people who missed it can get a chance to check it out.  This should be done for weeks before and after the scheduled event.  This not only makes you look busy which is key, but it also helps the people who are promoting you on their show, interview or magazine.  It boosts their ratings and numbers as well.  This is a win-win for both parties.  If you get good numbers for the people who showcase you, then they will be more than happy to work with you again.

Artists/entertainers need to seriously manage their PR opportunities and use it to the maximum advantage. You are only as relevant as the buzz around you.  Get your act together and promote what you have going on to the fullest extent!

Take note entertainers, if you aren’t paying someone to do this for you, it’s your responsibility to keep the buzz alive.  It’s a responsibility to your career and the fans who love you.

Voice Talent Finding Jobs on Twitter

Voice Talent Finding Jobs on Twitter

by The Lowry Agency voice over talent Trish Basanyi

The social networking giant, Twitter, continues to mystify some and make money for others.

Heck, even the money-makers are mystified. (Try saying THAT three times fast.)

Yet the ones who have tackled the site head-on continue to bring in revenue in their desired fields – and voice-over talent is no exception.

Are you on Twitter? Have you signed up and then abandoned the account after two “tweets” citing an excuse of something like, “I just don’t get it” or “it’s a waste of time”?

STOP.

The Internet is an amazing thing, and some still don’t grasp the plethora of knowledge just waiting to be found …when you ask the right questions.

All of the social networking sites are connected. We’re only going to talk about Twitter in this article, but by using one you will learn how to use the others!

For instance, there are thousands of two- to three-minute videos on YouTube, which show you how to use Twitter. All you need to do is search for them. The same goes for Facebook.

These videos explain how to use these sites and make the most of them. And they’re yours for the viewing, absolutely free.

There are hundreds of applications for Twitter, which maximize Twitter’s search potential for you, and streamline the process of finding voice-over work.

Trust me, the work is out there.

I could make recommendations about the applications, but everyone I know uses something different – kind of like the path of every voice talent on their way to success. Different things work for different people.

One of the more popular desktop applications is Hootsuite, but if you’ll search online you’ll find dozens more.

Spend just one hour on Twitter and you’ll begin to see the enormous potential.

Don’t know what to talk about? Just be yourself!

Make jokes, ask questions, and talk about your everyday life – both personal and business.

As voice talent, we’re not always selling our voices – we’re selling ourselves, as people. When we’re real and interactive, people will respond, and will want to “follow” you in the Twitter world.

Even if you don’t have a lot of followers, you can still find jobs – again, just use the search engine for the site!

If you’re searching for VO jobs anywhere else, you already know how to use a search engine.

Step outside your comfort zone for one hour and see what happens.

Maybe you’re on Facebook but only using it for personal connections. That’s great! But if you use Facebook already, you’re 10 steps ahead of the learning curve when it comes to using Twitter.

Twitter is an easier site to navigate than Facebook – in fact, the confusion most people express for Twitter seems to be the concept rather than the actual functionality of the site.

Once you understand the concept, using the site is a breeze.

Twitter is responsible for about 20% of my income in the past year. I have:

  • Landed several high-dollar jobs through clients I’ve connected with there originally,
  • Acquired roughly 20 new clients that now hire me on a regular basis, and we continue to have a great relationship both online and in the VO booth.

It didn’t happen overnight, but the process has been fun and a huge learning experience.

Branding – Have You Thought of Everything?

Branding – Have You Thought of Everything?

A couple weeks back I called a voice over artist that was approaching our agency as representation for them.  I called the number provided and got a cell phone with a plain as day message saying “You have reached {insert first name here}, I am not around, but leave a message and I’ll get back to you!” It was a very casual message with very bad audio left on the business phone of a voice over artist.  This is a perfect example of not taking an inventory of all the opportunities to showcase yourself and your abilities.  It is always amazing to me to see the opportunities we miss and sometimes the most obvious things that get by us!  Who would think a voice over artist didn’t think of doing a voice over for their own business phone, which in many cases is the first thing a prospective client hears.  This happens all the time in some way shape or form. I know I have certainly been guilty of missing something.

Everything, and I mean everything is a billboard for your professionalism and competence in your craft.  Every business/entertainer needs to take an inventory of everything they have put out to represent themselves and every possible opportunity to show their professionalism and capabilities.  Make sure you take the time and really evaluate where you are at and where you need to go and set the marketing/branding plan to get there. Leave no stone unturned.

Once you have done this, take the time to go through and enhance, correct or plan what needs to be done in the future. Make sure that you are showcasing yourself in the best light possible.  Does your branding campaign hurt your or help you?  Success takes time and a lot of effort. If you want to be successful, be diligent, detailed and surround yourself with a team of experts that can help you build your brand and help you make sure you didn’t miss anything.

Good Luck!

When Do You Need a Voice Over?

When Do You Need a Voice Over?

Guest blog by The Lowry Agency voice talent Dave Courvoisier

My barber gets it.

My barber… a small businessman…an entrepreneur, a guy who runs a tight ship when it comes to comes to finances.  He understands running a quality operation, and putting forth a successful brand at all levels, means professionalism at all levels.  That’s why, with scissors and comb in hand, me sitting in his chair, he asks, “would you be willing to voice my phone answering system?”

I was willing to do that and we even worked out a barter for the transaction.

I’m regularly shocked at some of the presentations I see explaining the virtues of almost anything — new software and hardware, videos on sales proposals, presentations on the advantages of social networking, informational YouTube videos — and how they can appear so bush league because they chose to use the voice of someone — anyone — rather than spending a few dollars more to hire a professional voice talent.

Much like you would spend a lot of money to do a professional-looking graphics representation of your product or to set up an elaborate website for your services, you should also think about hiring a professional voice talent to complete the package.

I challenge you to think of any business or industry… any marketing or branding campaign… any website, that wouldn’t benefit from the services of a professional voice actor to polish up the presentation.

The following is a list of genres that regularly fall into the realm of voice acting jobs almost any voice actor would love to get.  No specific order of importance:

Radio and TV spots (yes, many of us do on-cam too!)
website welcome messages
instructional videos

How-To videos
product demonstrations
phone menu-on-hold messages
client/customer role-playing
Power Point presentations
employee manual narrations
website sales pitches
white-paper narrations
informational documentaries
online catalog descriptions
movie theatre listings
restaurant menus (online or on the phone)
iPhone apps
Camtasia screen captures
software explainers
automated help menu systems
political phone messages
appliance installation DVD’s
self-help videos
videogames
inspirational readings
exercise videos
audio-books
store overhead announcements
radio promotional campaigns
public service announcements for charitable organizations
assembly instructions for military hardware
Homeland security training lessons
slide shows
employee safety videos
human resources explainers
Christmas party spoof tapes
animated-graphics productions
convention exhibit-booth looping displays
Video memoirs for funerals
Gala fund-raiser videos honoring the awardee
Entryway messages at conventions and conferences
website animations
Do I need to say more?

The applications of a trained human voice are only limited by your imagination.  I’ve even seen voice actors lend their services to party audio that plays in a limousine while it carts a birthday-girl around town with friends.

Voice-actors love the challenge.  They like to be treated as serious professionals as much as you do.  But that doesn’t mean they aren’t willing to get into the spirit of whatever project you have in mind.  I once narrated a 5-minute eulogy for a friend at his father’s funeral, ‘cause he knew he couldn’t get through it himself.

The next time you want to demonstrate the latest fishing lure guaranteed to catch large-mouth bass at Lake Wappapello, consider how much more effective it would be with the capabilities of a professional explainer: a voice-actor.

Too embarrassed to deliver the litany of accomplishments your sales team made during a recession?  The trained human voice is a powerful, compelling instrument…use it.

Writing a Cover Letter and Submitting a Press Kit

Writing a Cover Letter and Submitting a Press Kit

Before you write a cover letter to someone in the entertainment industry, please make sure you research the company to learn all you can.  This will give you a solid understanding of what they do.  The information will help you decide whether or not you actually need the services they offer. Your letter should explain why you would be a good fit for their company.  In previous blogs I have written, I have given details in which an artist can determine if they would need management at the particular point they are at in their career.  An artist should try to figure out through research and phone calls if they are truly ready, or in need of the types of services they are inquiring about.

When writing a cover letter to someone in the entertainment industry, you must first understand a few things about what you bring to the table for them to consider you.  The idea behind the cover letter and press kit you are submitting is to make it as easy as possible for them to review the information about you or your band and to give them the “WOW” factor.  If they have to dig around to find information and if your press kit isn’t attention grabbing and compelling, then they are more likely to pass on it and throw it away.

Your cover letter should be professional and list your strengths. Ask yourself a few questions:  Why do you think you are ready for their services? What is it about you that is unique?  What do YOU have to offer that would make you be worth the investment of time, energy and hard work? Be truthful and positive about what you bring to the table.   The artists represented by the company are a direct reflection on that company, so they want to make sure the artists they work with are professional and understand the business part of the entertainment industry.  Make your letter short, to the point and friendly.  Talk about your experience, fan base, reviews, touring experience and number of upcoming shows.  Go through your material with a fine-tooth comb and be as accurate and professional as possible.

Image is everything and that goes for your press kit!  So make sure it’s professional, complete with a professional CD, photos, one-page bio and other materials listed in my blog titled “The Promotional Kit” http://wp.me/pu8Se-v

Good luck on achieving your dream!

Why a Professional Voice Over Is So Important To Restaurants

Why a Professional Voice Over Is So Important To Restaurants

Say what you want about Jack In the Box restaurants…you have to admit the company has a professional operation.  The food is hot, delivered in an orderly fashion, and comes at a fair price no matter where you happen to find a franchise.

But do you want just “professional” when you’re eating?  No. That’s why a chain like Macaroni Grill might be a more quality choice.  The ambience is pleasing.  Food is prepared with care from a unique menu, and the service is usually charming.  Absolutely professional, but with a quality component added.

Still, for a top-of-class experience, something is missing even at Macaroni Grill.  That element is refinement.  In Las Vegas, when you visit Ferraro’s new restaurant across from the Hard Rock resort, you’ll see the added attraction of gourmet food from award-winning chefs, a table setting and service second-to-none, even a Sommelier to suggest the perfect wine to go with your choice of entre’.  Professional?  Absolutely.  Quality? Unquestionably.  Refined?  But of course, Monsieur!

There are no signs to indicate Ferraro’s combines professionalism, quality and refinement.  People just know.  Enjoy a meal at Ferroro’s and there’s no mistaking the impression that you’ve reached a position near the top of the culinary dining experience.

This is not a put-down of fast-food restaurants.  Quite the opposite, because, you see…even Jack In the Box understands that to be successful in the marketplace, their working-class product must nonetheless be portrayed in popular media with professionalism, quality, and refinement.

Make no mistake, the voice behind that silly guy with the white cone-head was chosen through a talent agency audition process that weeded out the un-professional, poor quality candidates with little refinement of their craft.

Puh-leez!….how many cheesy late-night, local TV ads have you suffered through, where the spokesman is likely the company’s owner, president, or maybe the secretary.  There’s no mistaking the impression that you’ve reached a position near the bottom of the advertising experience. People just know. The unprofessionalism, lack of quality, and absence of refinement portrays no product you would ever buy, visit, consider for purchase, or otherwise patronize.

Viewers, listeners, buyers, and consumers can smell the odor of “cheap” a mile away.  It’s a turn-of.  No – more than that, it engenders an internal promise never to participate in THAT product.

Savvy company owners, presidents, managers, and ad agency executives choose a quality, professional, refined portrayal of their product/service with fancy graphics, good copywriting, enduring images, and the delivery — either on camera, or through voice-over — of a talented, experienced actor.

A voice-actor can bring the worst copy to life….can elicit emotion from the most colorless pictures…and can do it all in 30 seconds.  There’s no mistaking the impression that you’ve reached a position near the top of the advertising spectrum.  People just know.

Like a fine chef, a true voice actor takes pride in his/her work…achieves professionalism by working their way up through the ranks…exudes quality through years of practice and training… and proves again and again a sense of refinement through experience.  Most have found success in voiceovers through a tough evolutionary process known as survival-of-the-hardest working and most talented.

You could pay a lot less, and grab Clancy, the clean-up guy to be the voice of “Jack” the cone-head.  Clancy may be able to mop floors, but it actually takes a professional, quality actor to produce a refined sound as sarcastically silly and convincing as the brand spokesman for Jack In the Box.

People just know.

How To Use Social Media For Entertainers

How To Use Social Media For Entertainers

In many of my discussions with people in the entertainment business, they want to know how to best use social networks such as Twitter, Facebook, MySpace or reverbnation. These tools are essential into spreading the word about your music, product or career.  First, I would say you need to understand where this particular industry is at and use Google to research and understand the tools being used.  Learn some statistics and develop a strategy for maximizing the use of each tool.

It is crucial that all of your social networking pages are linked together, which will allow all of your pages to be updated at once. This will save you massive amounts of time by not having to go to each page for individual updating.  Most entertainers who are developing a game plan also need to try to develop a fan base, as well as create buzz about your next show, CD, Movie or what ever it is that is coming up next.

Understand that social media is still a personal form of networking even though you are behind a computer screen.  You still have to be real and available.  Learn to update only about 25% of time about your career.  Promote others, develop conversations and be available to talk to an extent.  I do caution against getting caught up in people who just want to flirt and have no intention of becoming a fan or a consumer.  This will cause massive amounts of wasted time and not help you reach your ultimate goals.  With all that needs to be done in an entertainment career, using your time wisely is of utmost importance.

Social media for the entertainer should have a game plan of turning new followers into fans and then consumers of your product.  If this is not your final goal then you are wasting your time. If you are a musician, it is all about the number of impressions you make which may attract endorsement deals, fans, booking agents, venues, and sales for labels.   For other types of entertainment you should know at least the basics to help develop a social media-marketing plan that will work for you.

Social media marketing campaigns should be constant and consistent.  Be aware of your metrics and the tools you are using to track your success.  Be diligent, concise and always have a plan.  It is so important to the success of your career that you know your goals and execute a plan to meet them.