#Music Business

Le Bel Age – A Tribute to Pat Benatar Release “Heartbreaker” Rehearsal Video

Le Bel Age - A Tribute to Pat Benatar Heartbreaker

Heartbreaker – Pat Benatar cover from rehearsal from 5/5/2023 (room audio). Here is a quick video from rehearsal the other night! Please subscribe to you YouTube Channel if you don’t mind!

David Lowry – GuitaristMissy GarnettJeff GibsonBob Marinelli Jamie Smith

#lebelagetribute#patbenatar#missygarnett#thelowryagency#tributeband#nashville#nowbooking#livemusic#corporateevents#corporatebands#classicrock#rockmusic#davidlowry#thelowryagency#patbenatar#neilgeraldo#benatargeraldo#booking#events#corporateevents#shows#concerts#cover#bandcover#guitar#guitarcover#howtoplay#guitarlesson#youtube#jeffgibson #jamiesmith #bobmarinelli

Le Bel Age – A Tribute to Pat Benatar Release “Hit Me With Your Best Shot” Rehearsal Video

Le Bel Age - A Tribute To Pat Benatar

Hit Me With Your Best Shot – Pat Benatar cover from rehearsal from 5/5/2023 (room audio).

Here is a quick video from rehearsal the other night! Please subscribe to you YouTube Channel if you don’t mind!

David Lowry – Guitarist Missy Garnett Jeff Gibson Bob Marinelli Jamie Smith

#lebelagetribute #patbenatar #missygarnett #thelowryagency #tributeband #nashville #nowbooking #livemusic #corporateevents #corporatebands #classicrock #rockmusic #davidlowry #thelowryagency #patbenatar #neilgeraldo #benatargeraldo #booking #events #corporateevents #shows #concerts #cover #bandcover #guitar #guitarcover #howtoplay #guitarlesson #youtube #jeffgibson #jamiesmith #bobmarinelli

Le Bel Age – A Tribute to Pat Benatar Announce New Vocalist Missy Garnett

Missy Garnett - A Tribute to Pat Benatar

Veteran Nashville vocalist Missy Garnett joins the Nashville-based tribute Le Bel Age – A Tribute to Pat Benatar

By: The Lowry Agency

Apr. 21, 2023 PRLog — Nashville, TN – Missy Garnett has joined Le Bel Age – A Tribute to Pat Benatar (www.lebelagetribute.com) based in Nashville, TN as the lead singer.

Missy Garnett - A Tribute to Pat Benatar
Missy Garnett Photo Credit: Amanda Ballenger

Missy Garnett (www.missygarnett.com) comes from a musical family and was inspired to perform at an early age by seeing her father’s performances with his band. She moved to the Nashville area a few years ago from Illinois where she worked as an on-air personality at 101.3 WMCI and immediately began performing in and around the Nashville area on various Nashville stages, including Tootsie’s Orchid Lounge, The Second Fiddle, Bailey’s, The Cadillac Ranch, John A’s, The Nashville Palace, Bowies, local and state fairs, and community events, just to name a few. 

Missy has recorded and released two CD’s which are available on iTunes, Amazon, Spotify, YouTube, and hundreds of musical stores and radio stations. She has performed and opened shows for such artists as Gary Allen, Keith Urban, Diamond Rio, Trace Adkins, Cyndi Thompson, The Buckinghams, The Kentucky Headhunters, Aaron Tippin, Trace Adkins, and others. The Missy Garnett Band twice featured on the Kentucky Downs TV commercials as well as their website.

“I’m beyond excited and blessed to be invited to participate in a group of such talented musicians and to be able to pay tribute to such a classy and iconic woman in rock and roll is such a huge honor.” states Missy.

“We are extremely excited to bring Missy aboard and to add her expertise, professionalism and high energy to Le Bel Age – A Tribute to Pat Benatar. Missy brings power, clarity, range and incredible pitch to the band which will only increase the experience for those who attend shows. There has already been an extreme change in the energy and progress of the Le Bel Age – A Tribute to Pat Benatar” replies David Lowry, Guitarist and Founder of Le Bel Age – A Tribute to Pat Benatar..

The Lowry Agency is a full service artist management/development and promotions agency. Primarily they work with musicians, actors, speakers, voice over artists, entertainment companies, music coordination/supervision for film and TV as well as Talent Buying for entertainment venues. The Lowry Agency helps clients to meet and exceed their business goals.

More information about The Lowry Agency can be found at www.thelowryagency.com.

For booking Le Bel Age – A Tribute to Pat Benatar, please contact The Lowry Agency at lowryagency@gmail.com or visit our booking page here: www.thelowryagency.com.

The Lowry Agency

www.thelowryagency.com

6732 Birchbrook Dr.

Nashville, TN 37013

615-881-4559

Contact: David Lowry

Email: lowryagency@gmail.com

David Lowry To Perform with The One-Offs for Two Shows!

The One-Offs

David Lowry will be performing two shows with The One-Offs bringing you your favorite 80’s rock and metal!

February 24th

9:30 PM

Scooter’s Place

Hwy 41A Bypass

Clarksville, TN

No Cover

February 25th

The 404 Bar & Grill

8:00 PM

404 Elysian Fields Rd

Nashville, TN 37211

New Le Bel Age Tour Dates!

Le Bel Age - A Tribute to Pat Benatar

Looney's Tavern
Dual Destiny Theater

Le Bel Age will perform at Looney’s Tavern Entertaiment and Cultural Theater!

Dual Destiny Theater

June 9th & 10th

8pm – 10pm

Ticket Link: Coming soon!

22400 Highway 278

Double Springs, Alabama 35553

Practice? Yeah Right…

The Lowry Agency

I can’t tell you how many bands I have been a part of or worked where people would show up for rehearsal and someone (usually more than one) hadn’t practiced the material to be gone over in our rehearsal time. This is extremely bad when it is music that has been played for years within the band and the members can’t remember their parts or are just involved in to many other projects to take one seriously enough for it to be viable. In my experience it tends to be the same people over and over again. Always with some excuse whether it be work, family etc… but mostly it’s just people who don’t have the drive and discipline to take it serious. They would rather watch their favorite shows on T.V. or go out partying with their friends. This is a major problem within a band and needs to be dealt with immediately.

This Meme popped on my Facebook stream yesterday and it is of course an ageless problem within the entertainment community especially music. I consider it one of the major roadblocks for entertainers to overcome in order to have a decent shot at making it in the business. It is extremely important to deal with this sort of behavior immediately. How can a band or entertainer make it if the people involved are dead set on making it happen. That means putting forth every effort to be prepared. I for the life of me can’t figure out why so many musicians struggle with being professional or understand how completely critical it is for them to be prepared at all times for anything that might pop up. I quit trying to help bands get booked because they were never ready for a last minute gig. Their set lists weren’t done because they only knew so many songs and what was usually the reason? Someone in the band wasn’t learning the material or just didn’t think it was necessary to have a nice set list to draw from.

This eats away at the core of a band. People start to get irritated with each other and stop trusting each other. People will start to develop a “why should I bother” attitude because they get tired of working harder than everyone else but the people who keep letting the band down, expect to be equal partners and get paid the same while doing almost none of the work or having the work ethic it takes to succeed. This is about the most disrespectful behavior you can have in a band. Many of the other members are sacrificing time with family, friends or other things they love to have a real shot at it, but there is always some asshat that just doesn’t get it.

This isn’t a business that pays you for showing up. This is a business that pays you for hard work, work ethic, being prepared and having the ability to act at a moments notice if you are needed to fulfill a last minute opening. This also plays into people working with you. I make it abundantly clear from the get go before working withy any artist that we won’t work bust our ass for an artist that isn’t busting theirs. If this is a problem, they get cut. How can you expect anyone to bust their ass and do all the grunt work you don’t want to do, when you can’t even do the one thing you are brought into do. Learn your songs and put on the best show possible. You can’t do that if you spend all your rehearsal time learning songs that should have already been learned before the rehearsal at home. Rehearsals are for working on song structure, correcting small mistakes, developing set lists and most importantly performance. NOT LEARNING SONGS!

This of course is not a new revelation by any stretch of the imagination but yet things never change. The business is constantly changing, but musicians don’t. Same old story, same old song and dance. It’s a new business kids, gone are the deals, the money and now the people willing to working for nothing to bust their ass for a bunch of lazy musicians. Get with the program or get out.

To all bands and entertainers out there. Deal with this now or you will get absolutely nowhere. If it is a repetitive problem, fire them. Find band members that are willing to give 100% to make it happen or prepare to sit in anonymity for a very long time if not forever.

Good luck!

Promoters Need to Promote More…. WTF?

One of the great lies I hear from bands that haven’t made in the music business is that promoters don’t promote enough for their shows. Really? A PROMOTER whom by title and definitions job it is to promote isn’t promoting enough? I call a serious BS to this excuse that musicians use to not be accountable for their poor numbers. I have yet to meet either as a musician or a business person a promoter that didn’t promote. We are talking 30 years of playing or working in the business and I have never seen this. Even the small promoters work their fingers to the bone, pay the bands with what little came in and always go home with nothing while the bands bitch and complain and pretty much did no promotion what so ever.

It is my contention that most musicians don’t know what promotion truly is and wouldn’t recognize it if they saw it and they have no idea what is going on in the background. Is this harsh? Yes, but it is my experience dealing with musicians.

So let’s get this out of the way early. Yes, there are exceptions where maybe a promoter is new or doesn’t know what they are doing or maybe doesn’t have a budget but this is not what you normally deal with. Even still people who are promoting an event are usually very excited about their event and will promote it the hilt to the best of their ability which I can not say about musicians. Yes there are a few musicians out there that get it, but the majority don’t and they make excuses as to why they there are no people at their shows.

First and foremost, promoters are not in the business of losing money. Promoters are in the business of making money. They aren’t into taking chances and throwing away hard earned dollars by throwing an event and not promoting it. That is just plain stupid and not even close to reality. If you as a musician have met a promoter that is into throwing money away and you worked with them, then that is your fault for making a bad business decision. Hopefully you have learned form it and know what questions to ask next time.

As far as promoters taking advantage of local bands again a load of BS. If you are a local band, and you were lucky enough to get a spot on an event that has money behind it, you are already getting more than you are worth in advertising and promotion alone. It builds your brand, your credibility and if you actually drew in the minimum of 30 paid tickets you should be drawing in, then you will be remembered and brought in again and again as long as your work your butt off and keep brining in numbers. This does lead to getting paid and much better opportunities for you. If you are a local band opening for a A level or B level band, you are getting paid by getting in front of the audience that paid to see the headliner not you. This is a crowd that would never normally come see you. Understand the opportunity that it is, the opportunity you couldn’t normally afford to pay for yourself and make the most of it.

I can’t tell you how many times I stood in front of Bridgestone arena during a big concert by myself handing out promo cards while not one of the band members helped or how many times I was out ever day hanging posters and no help from the bands. 3 times I had a tiny bit of help hanging posters from 1 musician who did one small area of town with me and 2 others where a model and a friend helped me to 2 square blocks. Everything else was me every day hanging posters and hitting a previous area again every third day. The bands always had an excuse as to why they couldn’t help.

Promoters have their events listed on all the known event websites. They get their events in all the local entertainment rags. They set up radio interviews and advertising. They do email blasts over and over again. They have social media accounts that they promote on. They hang posters all over town over and over again because posters are always pulled down. This more promotion per event then most bands will do in a year for themselves let alone for just one event. What do musicians do? Maybe a couple Facebook posts or tweets and call that promotion.

In a perfect world, each event will be promoted to the hilt by the promoter, venue and bands. Will this happen? Maybe, maybe not. The reality is this. Each musician or band is responsible for their success and the success of each event no matter what anyone else does. You can never rely on someone else’s promotion for your business. YOU have to kill it each and every time. YOU cannot let excuses creep into your thought process. People pay to see bands that are good, the pay to see an experience. If they aren’t paying to see you, it’s not because of a lack of promotion by the venue or promoter. It’s because you aren’t giving them what they want yet. They don’t see anything worth paying for. YOU as a band have to learn how to separate people from their money. YOU have to learn how the become the EVENT that makes them put other things off and come see you instead of a movie or handing with friends.

As a promoter we have to do the same thing however, promoters learn quickly usually and bands seem to languish in poor work ethic and lack of creativity.

Bottom line is this. YOU have to toot your own horn and not expect anyone else to. YOU have to learn the skills to make this happen. YOU have to have a band that is dedicated to putting together a strategy to promote effectively. This means everyone in the band has to participate and quit using the “that just isn’t my thing” excuse. If you are in a band and you find that you don’t have the drive or the time to make this happen, then it is time re-evaluate your business and maybe step aside or just be comfortable with being a local band. There is nothing wrong with that. Getting up and playing music for any number of people is it’s own reward.

The music business isn’t the same as it was 20 years ago. There is very little money it, especially for bands that haven’t made it. Musicians wanted control of their careers so they could make more money and not get screwed. Well guess what, you got it. Now it is all your responsibility. The real work, the hard work is now up to you and you live and die by the sword.

Now you know why, bands had contracts that paid other people so much. They were the ones making you successful. They did all the hard work, the grunt work. They were the ones taking the risk and fronting the money so you could be a rock star.

Time to make a decision. Either you want it and will do everything as a unit possible to make it or you won’t, but quit blaming others for what you are not willing to do for yourself.

To all the bands that are doing it, keep it up! Never give up! Take the reigns of your business and do your best to dictate your success!

Good luck!

Why Aren’t People Coming to Your Shows?

The entertainment business is incredibly tough to be in. We all think we are amazing talents and think we should be paid for all of our hard work and what it takes to put on a show of any kind but that isn’t the reality. The reality is it’s hard to separate people from their hard earned income and with all the entertainment being thrown at them from every angle now days, it’s very hard to capture their attention.

This is why is so incredibly critical that word of mouth spreads about your show the entice people to your future shows. It almost always takes lots and lots of shows before you start to see the crowds you want but there is a strategy to doing it and most importantly, it has to be an experience they will remember and always talk about.

The other day, Dana White of the promotions company UFC came out and said “If you want to get paid, you don’t want people doing the wave during your fight.You want them talking about you on Monday and Tuesday and that isn’t going to happen if they aren’t paying attention to your fight” (paraphrased.) This is completely true of any form of entertainment. If you can’t get people to talk about how completely amazing your show or performance was, you are not giving the audience the experience they are paying for and hence, you don’t deserve to get paid no matter how hard you worked nor should you expect them to. This isn’t an hourly paying gig based on the hours you put in. Lot’s of people work hard (most likely in the wrong areas) but may not be talented enough, visionary enough or a good enough producer to put on the entertainment experience of a life time.

This is the truth. Hard work doesn’t determine getting paid. Buying gear doesn’t determine getting paid. Nothing determines getting paid other than your show putting butts in seats no matter how hard you work or talented you are. This can be a very long and arduous process for any entertainer but it is usually the most common road. Time, effort, talent and an amazing amount of patience are absolutely necessary in the entertainment business. If you aren’t giving the public something that makes them want to part with their money, then you have no one to blame but yourself. You don’t deserve to get paid just for showing up.

Along with talent, planning, intense amounts of practice and the vision to make your dream happen and to also deliver something the public finds value in comes the actual real work that most entertainers don’t want to do and hope others will do for them before they are big enough for anyone to want to. The promotion, booking and business end of things. Somehow the entertainers have to be able to do all of this. It’s obviously very hard and if it was easy, every one would be doing it but they aren’t. However it can be done and there are plenty of examples in the business to prove it. It comes down to will, determination and talent not only to perform but design a show that will provide and experience, not just another so-so show that the public usually gets. They deserve much better than average if they are going to spend money on a ticket plus any other expenses such as drinks, dinner, parking or babysitting etc.

I would estimate that about 95% of what entertainers are putting out there in their performances or shows is completely average or below, yet all I see are entertainers demanding that they should get paid. Paid for what? Mediocrity? I won’t pay you for that. When you send in your material and tell me how amazing you are then that is what I expect. If you aren’t that, if you don’t deliver on your words of your live show, if you don’t put butts in seats or increase your crowd on average over time, then you simply are not as good as you say you are. That is reality. That doesn’t mean give up though. It means you need to re-evaluate your show. Take the time to make adjustments, improve in the areas that need it and learn to put on the show that people wan’t to see. If you don’t, you can’t complain about people not wanting to pay ticket prices. You aren’t providing the value to make it worth the price to them.

You want to sell tickets? Provide the experience that people can’t stop talking about. This means the most well rehearsed, professional dedicated performance you can deliver and it must keep getting better. Until then, you will be mired in mediocrity and low ticket sales and letting the business jade you for your perceived slights. No one owes you a living. In this business, talent, hard work, creativity and vision are all you have. Bring it or go home. Don’t complain about people not coming to your shows when you aren’t giving the very best for them to see.

This is the reality that haunts us all. You and me alike.

Good luck!