#Music

Prog Rock Legend Neal Morse Drops by Live From Music City!

NealMorse

Progressive rock legend Neal Morse will be dropping by Live From Music City to talk about the upcoming “Live Momentum” tour, the music business and his other projects. Stay tuned!

NEAL MORSE BIO

As a young musician, Neal’s dream was like many others—to find success in the pop music world. But after years of struggling in the Los Angeles singer-songwriter scene, he realized that this dream would not materialize. Rejecting conventional wisdom, Morse took a courageous step: He about-faced and devoted himself to progressive rock, the music truly in his heart. The obscure and fiercely competitive genre held little chance of commercial success.

Undaunted, he formed the quirkily-named Spock’s Beard with his brother, Alan. They recorded The Light with what money they could scrape together. Against all odds, it was a breakout success, sending shockwaves through the small genre’s community.

Over the next 10 years, Spock’s Beard released 10 critically acclaimed CDs and 2 DVDs, ascending to the top of the prog world. Neal also released 6 CDs and 3 DVDs with Transatlantic, the heralded prog supergroup comprised of the genre’s best musicians.

The proverbial wayward son, Neal had finally found the success he sought. On the outside he seemed to have it all. On the inside, however, something was missing.

Morse came to realize that for him, embracing the Christian faith was the fulfillment of his spiritual quest. His walk was at once gradual and sudden—and as with so many, completely unexpected. As he continued, his path increasingly revealed more of what his heart had sought all along. Yet he also began to find his career growing at odds  with his faith. The rising spiritual tension and increasing commercial success finally came to a head with the release of Snow (2002), the group’s magnum opus…and swan song with Morse.

The extraordinary 2-CD rock opera, composed by Morse, was widely acclaimed as the group’s finest. But it was the end of the era. Neal felt God calling him out of his former musical life and into the unknown. He made the agonizing decision to leave both Spock’s Beard and Transatlantic. Despite having finally achieved the success he had long sought, Morse had to begin all over again; musically, emotionally and spiritually.

Neal then embarked upon the most ambitious musical project of his career. Entitled Testimony (2003), it chronicles his spiritual and musical journey in words and music.  The 2 CD set spans over two hours as one continuous piece of music. In genre, it ranges from a gospel choir to hard rock; from symphony orchestra to contemporary pop. Testimony was also Neal’s first of many albums with drummer Mike Portnoy (Dream Theater). A deftly woven musical tapestry, Testimony takes the listener on a fascinating journey as unique as the man behind it.

The ensuing world tour was captured on one unforgettable night for the 2-DVD set, Testimony Live (2004). Morse was recognized as a remarkably passionate and engaging performer by Britain’s Classic Rock Magazine, who included him in their “100 Greatest Frontmen of Rock” listing. The tour was awarded “Best Rock Tour” from the popular Dutch website, DPRP, besting nominees Peter Gabriel, Radiohead, RUSH and others.

Morse’s next studio album was a conceptual, progressive rock album entitled One. Mike Portnoy returned to perform on drums (in what is regarded as perhaps his finest performance), with up-and-coming bassist Randy George. They were joined by legendary guitarist Phil Keaggy. The result was a band-focused sound, harkening back to Neal’s Transatlantic work. Continuing in the tradition of Snow and Testimony, One proved epic in scope and sublime in nature.

For Morse’s third progressive rock album, he took a new approach, artistically. On Question (2005), Morse weaves a compelling storyline that owes as much to C.S. Lewis as Indiana Jones. His journey is a timeless quest—to find the biblical dwelling place of God. Joining Neal are more of prog’s brightest stars, including Mike Portnoy and Jordan Rudess (Dream Theater), Roine Stolt (Flower Kings, Transatlantic) and Steve Hackett (Genesis).

Bringing Question to the stage required an outstanding tour band. Fusing technical wizardry with musical nuance, a young band of unknowns proved themselves in the fire of Question’s musical roller-coaster. The audience responded with energy and passion, with the experience captured on CD. Unrestrained, raw, and magnificent, the resulting 2 CD set Question: Live (2007) was fitting as Neal’s first live album.

Neal’s next prog epic was his most daring, stirring passions and controversy. On Sola Scriptura (2007), Morse tells a compelling and sometimes macabre tale of the darkness that inevitably falls when humankind tries to elevate itself to God. Focusing on the Church in the Middle Ages, Morse is unflinching in his description of its abuses. Neal frames the issue as just one example of faith separated from its true foundations. The album closes not with an end but a beginning—for us to consider our world, and feel called to illuminate it.

Question and Sola Scriptura were received as Neal’s best to date, and the ensuing tours were captured on film. The ensuing release, Sola Scriptura & Beyond (2008) was an extraordinary live concert 2-DVD set that brought both albums to life. Also included were generous selections from One and Testimony, a Transatlantic selection, five songs from Spock’s Beard, and an hour of behind-the-scenes tour footage.

Less than three months later, Neal completed Lifeline (2008), his next studio album. Unlike his other releases, Lifeline wasn’t a concept album. Free from this constraint, Neal stretched out in all directions. He revisited early Spock’s Beard, Snow, Transatlantic, his solo releases, and launched into new territory. Joining him once again were Mike Portnoy and Randy George.

A Transatlantic reunion had been the dream of many fans, and after ten years, a seemingly quixotic one. On April 16 of 2009, though, they were surprised to hear of a new album from the prog supergroup. The album began with Neal’s work a 45 minute composition, “The Whirlwind”. As he progressed, Neal, who felt it was taking on the attributes of a Transatlantic piece. He shared it with the band, and they agreed. Each band member brought material to the eight days of writing/recording sessions; by the end, they’d written a completely new album. Retaining Neal’s original title, The Whirlwind went on to be the group’s highest charting album to date.

Meanwhile, Neal had been touring in North America and Europe. Several shows from the end of 2008 were recorded to multitrack, and saved for future release. On November 16, 2010, the 3-CD set So Many Roads was released, presenting an astonishing 3.5 hours of new live music. Featuring 29 tracks spanning Neal’s entire 20 year career, So Many Roads is the definitive live Neal Morse release.

Later in 2010, Transatlantic embarked on their biggest tour yet, with dates in 11 nations across Europe and North America. The London, UK show was immortalized for the double-live DVD, Whirld Tour 2010: Live in London.

Neal begins 2011 with completion of his forthcoming progressive rock studio release, Testimony II. Mike Portnoy and Randy George returned to revisit the trio’s unique and powerful chemistry, and as usual, special guests and surprises await.

Neal’s largest ever tour will follow, over the summer, with his international live band led by Collin Leijenaar. Meanwhile, Neal continues development on his unnamed rock opera and a new collaborative mainstream rock project. In 2012, Neal shines brighter than ever with the next remarkable chapter in his musical and spiritual journey.

http://www.nealmorse.com/

 

Live From Music City with Tommy Kessler of Blondie, Rock of Ages and the Blue Man Group

TommyKessler

Tommy Kessler is an American guitarist currently in the new wave/rock band, Blondie.[1] He joined the band in April 2010, replacing guitarist Paul Carbonara who had left Blondie to pursue other projects. When not touring with Blondie, he performs as a guitarist in the fictional 1980’s Rock Band Arsenal in the Broadway musical, Rock of Ages.[2] He has been with Rock of Ages since it opened off Broadway in 2008. He has worked with Kristin Chenoweth playing guitar during her performances on Good Morning America[3] and The View.[4] He has also been part of the band in the New York City performance of Blue Man Group since 2006. He currently uses Jason Z. Schroeder handmade guitars[5] as well as Taylor Guitars. The Taylor models he uses are 854ce and 810e in Rock of Ages, the K14ce and SolidBody Classic with Tremolo in Blondie, and GA3-12ea and NS74ce in studio. Tommy is also currently using a custom handmade JZ Guitars model TK-1 on tour with Blondie.

This interview was recorded in October but due to health and technical issues, it is being posted now. Our apologies to all who were waiting for this.

Click the link to hear the interview  LFMCTommyKessler

For more info on Tommy Kessler click on these links:

http://www.tommykessler.com/#!

http://twitter.com/TheRealTommyK

https://www.facebook.com/home.php#!/tommy.kessler.75?fref=ts

http://www.youtube.com/user/tommykesslermusic

The Disconnect Between Musicians and Promoters Part 1

You hear it all the time from musicians. “Why won’t they book me for an opening act?” “How come they got the spot and we didn’t?”, or “the promoter didn’t do his job” even “the promoter screwed me or didn’t know what they were doing.” etc…. This is obviously a one sided opinion, and from my experience one that is very, very misleading. Many artists have little or no experience in promoting a show, or have an idea what it costs; they just want to blame someone for things not going right, without ever looking at what they bring or don’t bring to the table.

Granted there are instances where maybe a promoter didn’t know what they were doing or maybe there were a small company with very little cash flow to do an amazing job of advertising the show, but that is a risk we all take and like all bands, promotion companies have to start somewhere and grow as well. This is why working as a team is incredibly important and any acts associated with a bill, should be doing everything in their power to work with the promoter and make the show as successful as possible.

I find this can be very frustrating, knowing how much work and money it takes to put on one single show. For a 1,500 seat venue, this can become extremely time consuming and expensive for the risk involved, and a marginal profitable return on the investment. To have a small time musician/band say that the promoter didn’t do their job is completely asinine. First of all, the musician/band probably has no idea what it really takes to make one of these shows happen, and secondly, what an opportunity it is for the band to even get a spot on this when someone else is paying for your opportunity and the big media. Most opening bands should realize by now that their job is to put butts in seats or they have no business opening a show for anyone. They should be able to bring in at least 40 to 50 people to each opening or they shouldn’t complain at all.

To put on a show of this size can run from $50,000 up to over $100,000 depending on the type of venue, marketing, guarantee etc… It takes at least 60 – 90 days worth of work, negotiations, planning and so forth to get these things going. When a band is given an opportunity to open a show, many times they don’t deliver and don’t work the opportunity for all it’s worth.

Promoting the show is so important. I am not talking about Facebook posts or the other white noise that you are putting out. I am talking about getting promotional materials, getting off your butt, and doing your job. You should be out on the streets consistently promoting and showing everyone that you are the band to hire for opening spots. Getting the promoter, venue and others to notice you is as important as performing on stage. Doing everything you can to get your fans to purchase tickets to come see you at this event, and then deliver the best show you can that night no matter what the circumstances is the ultimate goal.

Remember, the promoter doesn’t owe you anything. They gave you a shot and if you don’t deliver, it’s no ones fault but your own. Once you do the show, if you happen to deliver and get butts in the seat, then you need to learn to turn that into other opportunities.

In the next blog we will talk about ideas you can do to not only get the opening spots but to also get people to the show but also how to possibly get more out of the show than just exposing your music to a new audience.

Good luck!

You can also read this and some of my other articles at www.metalholic.com. http://metalholic.com/the-disconnect-between-musicians-and-promoters-part-1/

For the Fans… How You Can Best Help on Social Media

[youtube=http://youtu.be/B3m9wUhZ0-Q]

I know, I know… There are a million bands, authors, actors, small businesses asking for you to spread the word about them, “like” them, vote for them and so on and on. Sometimes we feel like we have to because we don’t want to create trouble because we are friends with so many local talents and if like one but not the other then the drama starts and some times we don’t support at all because we don’t want the drama or we don’t have the time or something similar. With this blog I am not asking you to do anything but support your favorites and only your favorites.  It is not your responsibility or obligation to support anyone except those you chose and no one should get mad at you if you don’t support things you chose not to for any reason at all.

In order for your favorite artist (insert entertainment medium here) to spread the word and create the “buzz,” they need people spreading the word about them as much as possible. Social media is the easiest and cheapest way to do that. So this blog is about that and how you as a fan, friend or family member can do this to maximize their efforts and actually yours as well.

It is very important to the success of any type of entertainer be it musicians, authors, bloggers, actors etc… that their content reach the masses. Since many of you already click like on so much of their stuff would it really take that much extra time to share it? Comment on it on the actual page and not just on Facebook although that does help. All these sites rates posts popularity by how much attention it gets and for it to reach the masses, it needs your attention. So please read this and if you are able to help these people out, please do the extra little bit for your favorite artists etc…

Facebook – With Facebook all these artists should be using a fan page to track their metrics and not a personal page although many haven’t figured this out yet. Facebook recently made it harder for the Fan Pages to get attention by limiting the amount of people seeing posts so they could attract revenue dollars by having people with pages pay to advertise their posts to the audience that had already requested to see the posts by “liking” they page. I know ludicrous but it is Facebooks right to generate revenue so let’s just leave it at that for now. As a fan you need to go to the artists page, hover your mouse over the “like” button and select “show in news feed” to make sure you are getting the info they put out. When you do see the info, please “like” each post, share each post and comment on each post if you can. Remember that statistically only 7% of your audience sees your posts so you are not going to be annoying anyone with these posts and even if you do, so what. It’s your wall and you can choose to support what you wish with out fear of reprisal from others saying you post to much about something or someone. It’s not their business nor is it their wall.

In respect to this, if someone shares a post from a blog or other source, please if you can take the time and do the same on the original post, not just the Facebook one. There are share buttons for Twitter, Pinterest, LinkedIn, Google+ and loads of others. Please share this on your accounts and also comment on this page. It will help drive up the rankings for Google and on what ever other social media site it is on to further increase their exposure.

Twitter – Retweeting is the key here, if you have a twitter account please RT and share any content you can. Learn how to use #hashtags if you are posting on your own about your favorite artist and RTing something.

Pinterest – The latest social media spot. You can keyword on Pinterest to have your pins pop for people looking for things to find or discover such as #music, #movies, #authors etc… You can use any word to describe your pins and hopefully help people discover that artist you think is amazing. You boards also are coded to post in certain categories to which you chose when you create them.

Youtube – Obviously probably the most influential for music and movies so please again “like” the video, share them from the available links and comment on them. Youtube videos go viral from you emailing them to your friends. This especially happens from the teenagers and young adults. Don’t forget to help out with that. Maybe you can help create a viral campaign for your favorite artist.

Blogs – With people who blog, it is important to realize that like with WordPress, the more views, comments and star ratings a blog gets the more likely it is to be featured on the home page. This is a big deal for bloggers or artists using blogging sites for their main web pages. Please take the time to make sure you comment, rate with the star system, like and share from here as well. You can cut and paste your comment from Facebook to here to make it easier. It’s not that hard or time consuming and is a huge help to the author of the blog. Please make sure you also follow the blog. This way you can get all the updates to better help you spread the word and keep on top of the latest news.

Because of all the social media coming at you, the requests, the endless number of bands, singers, authors, writers, radio shows etc… asking everyone to do these things, it is important for you as the fan to really chose whom you want to support and help them stand out from the rest of the white noise out there on social media.

Everyone is trying to get noticed and draw attention to themselves, their show, their blog or whatever. That is fine. That is what they are supposed to do and there are many great ones out there, but you individually can’t do it for all of them. Chose your favorites and help make a difference for that artist. They need your support now more than ever as there is so much out there now, it is very hard to get people to notice you.

From the bottom of all of our hearts as entertainment people, THANK YOU for all that you do. None of it is worth it without you and no one could do it without you either. So again thank you for all of your past, present and future support from all of us.

Regards,

The Entertainment World.

P.S. A special shout out to Michelle Holland for being the embodiment of this message in her support of Richie Kotzen.

Goldy lockS video posted on Battlehelm.com

Goodnight promo 1

Nashville, TN – Nashville-based entertainment firm, The Lowry Agency, has officially announced the release of the “Goodnight” music video for the rock band “Goldy lockS.”

The “Goodnight” song and video is very near and dear to my heart as it started as a song written to my mother about her fight with the terminal illness “Chrone’s” disease. This video was funded with a campaign to help anyone who wanted to say “Goodnight” to someone they love in a very unique and eternal way by paying tribute to them at the end of the video.” – says Goldy Locks

Read more here…

http://battlehelm.com/?p=7906

The Difference Between Those That Do Make It and Those That Don’t

Often those of us in the business in any capacity have the opportunity to work with very successful artists or entertainers and those that are still trying to get there. Of course this applies to any type of successful business or entrepreneur but we are talking entertainment here so let’s leave it at that. We get to see and observe things that those that make it do and those that can’t seem to get any traction don’t do. Of course there are always exceptions to the rule and I am sure that there are many things that won’t be listed this blog but here are some things I want to point out to help make it easier for all who read this to hopefully put into action to make everyone’s job easier and make teams stronger and easier to work with.

Successful entertainers surround themselves with positive people and then they take care of them. They don’t look to get them to work as hard as possible for as little as possible. They reward them for their hard work. Any business owner knows you pay your people who are working to make you a success first not the other way around. They don’t bring people on board and then sit there waiting for something to happen. They bring people on board and keep busting their ass to give those people something to work with. They keep working as hard as possible to be able to create the opportunities to make things happen. They listen to advice and feedback from their team and those that the team interacts with and makes changes as needed. They don’t make excuses or avoid making the hard decisions for change. Whether it be personnel changes, style changes, business changes etc. Successful artists give positive feed back to their team. They show up for meetings and are a part of the overall vision and plan. They don’t sit around waiting for everyone to do it for them. They are proactive and constantly push for the next big thing.

Too often in this business, people rest on their laurels or they have something good happen and they sit back and coast. You cannot do that. You have to keep moving forward. You have to learn how to create opportunities out of what you have everyday. People who truly want to do this for a living find a way to make things happen. The others make excuses. This business is nothing but hard work 24 hours a day, 7 days a week. There is no other way. Not everything tried will work but they know that. They make adjustments and keep trying new things. Successful artists don’t take no for answer, they don’t blame everyone else for what isn’t happening for them. They know that they are the product and that it’s a constant work in progress. They know that not everyone will get them, their music or art and they keep trying to find the ones that do.

Unsuccessful entertainers listen to their 30 friends or fans and let that lull them into complacency and think that people aren’t working hard for them. They don’t understand that they have to work just as hard and actually harder than their team. They don’t understand it’s a business. They don’t understand it’s their responsibility to set the bar high. They don’t understand setting goals and working hard to achieve them. They don’t understand cutting out the people that are holding them back.

In most business books your will find examples like “every successful” business trims the bottom 20% of fat every year.” This means they get rid of the things not working, not making them money or holding them back. That could mean clients, marketing, personnel or anything preventing them from reaching their goals. You have to make hard decisions sometimes no matter whom it affects to be able to move forward. It sucks but it’s true.

Most entertainers especially it seems musical ones aren’t business minded and we all know that. They are creative people and in many ways avoid hard work. That is why they are artists or entertainers. They thrive in the creative and not the analytical or structured world. Unfortunately, if you are an entertainer, it is your business and you have to operate in both. There is no one to blame but you when things aren’t getting done and I guarantee you, if things aren’t getting done many times it’s because the entertainer isn’t doing it. They aren’t getting their work done on time. They aren’t showing up for meetings. They aren’t working all the time. The team won’t bust their ass for an artist that isn’t busting theirs.

I recently started working with an artist and we got more done in the first two weeks then we did with any other artist because that artist gets it. They work all day, all night. They have a vision and nothing will stop them from achieving it. They learn what they need to learn to get their career to the next level. They listen to advice, implement it and run with it as fast as they can. This is what people are looking for. Nothing else will do. You want to make a living at this business? You better get your head straight and learn from this artists example.

I know there are many artists that want this dream and work hard to achieve it. I know sometimes they are confused and overwhelmed. The first and best thing to do is to do something. Don’t sit there and do nothing. Learn to get done what needs to get done. Don’t skimp on your career by not investing in your self, your education and learning.  Research your career choice and the things you need to know to get things done. If you don’t have a budget for websites, graphic design, etc… you better learn how to do it. Every business has to do this, not just artists. We all have to do this at times. We all have worked with people that don’t get it done even when paid so sometimes we just have to learn to do it ourselves unfortunately.

This business is so extremely hard. It’s very hard to make money in and it’s very hard to get noticed. Nothing but excellence will do. Do you have it in you?

Get out there and get it done! You can do it if you put your mind to it.

Good luck!

Goldy lockS Band Partners with Sort This Out Cellars Winery to Promote Music and Wine.

Nashville-based entertainment firm, The Lowry Agency, has officially announced the partnership of the rock band Goldy lockS and winery “Sort This Out Cellars” to promote both the new single “Goodnight” and the Elvira beverage line.

FOR IMMEDIATE RELEASE

Goldy lockS

Goldy lockS
PRLog (Press Release) – Aug 23, 2012 –
Nashville-based entertainment firm, The Lowry Agency, has officially announced the partnership of the Nashville rock band Goldy lockS (www.goldylocks.net)and the California Boutique Winery “Sort This Out Cellars” (www.sortthisoutcellars.com) to promote both the new Goldy lockS single “Goodnight” and “Sort This Out Cellars 2008 Elvira Macabrenet” wine or “Elvira’s Olde Tyme Soda Classics” six pack set.
Read more here …

The Difference Between Those That Do Make It and Those That Don’t

Often those of us in the business in any capacity have the opportunity to work with very successful artists or entertainers and those that are still trying to get there. Of course this applies to any type of successful business or entrepreneur but we are talking entertainment here so let’s leave it at that. We get to see and observe things that those that make it do and those that can’t seem to get any traction don’t do. Of course there are always exceptions to the rule and I am sure that there are many things that won’t be listed this blog but here are some things I want to point out to help make it easier for all who read this to hopefully put into action to make everyone’s job easier and make teams stronger and easier to work with.

Successful entertainers surround themselves with positive people and then they take care of them. They don’t look to get them to work as hard as possible for as little as possible. They reward them for their hard work. Any business owner knows you pay your people who are working to make you a success first not the other way around. They don’t bring people on board and then sit there waiting for something to happen. They bring people on board and keep busting their ass to give those people something to work with. They keep working as hard as possible to be able to create the opportunities to make things happen. They listen to advice and feedback from their team and those that the team interacts with and makes changes as needed. They don’t make excuses or avoid making the hard decisions for change. Whether it be personnel changes, style changes, business changes etc. Successful artists give positive feed back to their team. They show up for meetings and are a part of the overall vision and plan. They don’t sit around waiting for everyone to do it for them. They are proactive and constantly push for the next big thing.

Too often in this business, people rest on their laurels or they have something good happen and they sit back and coast. You cannot do that. You have to keep moving forward. You have to learn how to create opportunities out of what you have everyday. People who truly want to do this for a living find a way to make things happen. The others make excuses. This business is nothing but hard work 24 hours a day, 7 days a week. There is no other way. Not everything tried will work but they know that. They make adjustments and keep trying new things. Successful artists don’t take no for answer, they don’t blame everyone else for what isn’t happening for them. They know that they are the product and that it’s a constant work in progress. They know that not everyone will get them, their music or art and they keep trying to find the ones that do.

Unsuccessful entertainers listen to their 30 friends or fans and let that lull them into complacency and think that people aren’t working hard for them. They don’t understand that they have to work just as hard and actually harder than their team. They don’t understand it’s a business. They don’t understand it’s their responsibility to set the bar high. They don’t understand setting goals and working hard to achieve them. They don’t understand cutting out the people that are holding them back.

In most business books your will find examples like “every successful” business trims the bottom 20% of fat every year.” This means they get rid of the things not working, not making them money or holding them back. That could mean clients, marketing, personnel or anything preventing them from reaching their goals. You have to make hard decisions sometimes no matter whom it affects to be able to move forward. It sucks but it’s true.

Most entertainers especially it seems musical ones aren’t business minded and we all know that. They are creative people and in many ways avoid hard work. That is why they are artists or entertainers. They thrive in the creative and not the analytical or structured world. Unfortunately, if you are an entertainer, it is your business and you have to operate in both. There is no one to blame but you when things aren’t getting done and I guarantee you, if things aren’t getting done many times it’s because the entertainer isn’t doing it. They aren’t getting their work done on time. They aren’t showing up for meetings. They aren’t working all the time. The team won’t bust their ass for an artist that isn’t busting theirs.

I recently started working with an artist and we got more done in the first two weeks then we did with any other artist because that artist gets it. They work all day, all night. They have a vision and nothing will stop them from achieving it. They learn what they need to learn to get their career to the next level. They listen to advice, implement it and run with it as fast as they can. This is what people are looking for. Nothing else will do. You want to make a living at this business? You better get your head straight and learn from this artists example.

I know there are many artists that want this dream and work hard to achieve it. I know sometimes they are confused and overwhelmed. The first and best thing to do is to do something. Don’t sit there and do nothing. Learn to get done what needs to get done. Don’t skimp on your career by not investing in your self, your education and learning.  Research your career choice and the things you need to know to get things done. If you don’t have a budget for websites, graphic design, etc… you better learn how to do it. Every business has to do this, not just artists. We all have to do this at times. We all have worked with people that don’t get it done even when paid so sometimes we just have to learn to do it ourselves unfortunately.

This business is so extremely hard. It’s very hard to make money in and it’s very hard to get noticed. Nothing but excellence will do. Do you have it in you?

Get out there and get it done! You can do it if you put your mind to it.

Good luck!

Goldy lockS “Goodnight” Review

Goodnight promo 1

Goodnight (Single/Video)

Goldy lockS

Label: Goldy lockS

Released: August 16, 2012

Reviewed: August 19, 2012

Goldy lockS is the flamboyant frontwoman of the band that bears her name. She is a former pro-wrestling personality as well as a musician in her own right and has been called “America’s Everywoman”. This everywoman and her band has just released a compelling new single entitled, Goodnight.

Read more here: http://www.boomerocity.com/goodnightsinglevideoreview.html

Goldy lockS Band Announces the Release of the Music Video “Goodnight.”

Goodnight promo 1

Nashville-based entertainment firm, The Lowry Agency, has officially announced the release of the music video “Goodnight” by the rock band Goldy lockS.

 

FOR IMMEDIATE RELEASE

Goodnight promo 1

 

Nashville, TN – Nashville-based entertainment firm, The Lowry Agency, has officially announced the release of the “Goodnight” music video for the rock band “Goldy lockS.”

The “Goodnight” song and video is very near and dear to my heart as it started as a song written to my mother about her fight with the terminal illness “Chrone’s” disease. This video was funded with a campaign to help anyone who wanted to say “Goodnight” to someone they love in a very unique and eternal way by paying tribute to them at the end of the video.” – says Goldy Locks

Born and raised in Minneapolis, MN and a transplant to Music City Nashville, TN, Goldy LockS has played all over the world and with musicians and professionals such as Ted Nugent, Pink, James Maynard Keenan, Pat Benatar, Bret Michaels, Stevie Nicks, Saliva, Sevendust, Puddle of Mudd, Nickleback, Three Doors Down, One Republic, Tommy Lee, Jimmy Jam and Terry Lewis and Dallas Austin.

David Lowry, President of The Lowry Agency remarked, “What makes this video so unique is all the tributes at the end of the video for the ones lost by loved ones. It’s such a touching story both with the meaning behind the song and all the stories we received from the people who supported this video.”

To see the video please go to: http://youtu.be/B3m9wUhZ0-Q

The Lowry Agency is a full service artist management/development and promotions agency. Primarily they work with musicians, actors, speakers, voice over artists, entertainment companies, music coordination/supervision for film and TV as well as MMA promotions. The Lowry Agency helps clients to meet and exceed their business goals.

More information about Goldy LockS can be found on the following web sites and social media networks:

www.goldylocks.net
www.facbook.com/goldylocksband
www.twitter.com/goldylocksrocks

More information about The Lowry Agency can be found at www.thelowryagency.com.

Media Inquiries:
The Lowry Agency
www.thelowryagency.com
2726 Old Elm Hill Pike
Nashville, TN 37214
615-618-6906
Contact: David Lowry
Email: david@thelowryagency.com